That’s Entertainment!

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NUMBER ONE

Some of the many places I wish I had taken photos and didn’t.

  • The Garden Terrace Cafe just off Istaklal Caddesi in Istanbul where we had an entirely memorable meal. (Just didn’t. Too engaged with trying to make myself understood.)
  • The jewellers in Kusadasi where we bought the fake Zultanite ring which changes colours according to the light source. A photo would have been so appropriate … and threatening. (Too busy doing the deal. The room was very artfully poorly lit.)
  • A first night in Thessaloniki. (Grumpy.)
  • The National Theatre in Belgrade where we saw the opera ‘Nabucco’. It was so photogenic. (Didn’t take my pack. Would have had to carry my camera. Not quite cool …)
  • The forecourt of Hampton Court Palace with Jules Holland and his big band. A knockout concert but the lighting effects made the visuals simply extraordinary. (See Nabucco above.)
  • The Almeida Theatre in Islington where we saw the ‘Oresteia’, a sharply defined curate’s egg: reflecting the plays themselves as it happens — 2/3 scintillatingly good; 1/3 lingeringly bad. I wanted to get pics of the crowd. (Not cool.)

I regret these absences, however excusable. They leave big holes in my visual memory. (Some people have phones …)

But their equal, equal worst, and worse in some important ways — I could have, it would have made sense, I would have been joining in, I could have put my camera in my pocket — was the failure to take my camera to Zeichen, Erscheinungen, Deutungen [Drawings, Appearances, Meanings] upstairs in the Galerie Konzett in Vienna.

I wasn’t that keen to go. The day had begun in Zagreb at 5.30am which for some people is not early. For me, coupled with departure from one of the cosiest hotels in the Balkans, it was challenging. This was followed by an 8-hour train ride which had left us on the outskirts of Vienna where taxis did not roam freely. To get to our meeting point we walked past the Staatsoper which was offering tickets to Romeo and Juliet for 50 Euros a throw. Very tempting. But we tottered off down Spiegelgasse to dive into a lucky dip where we found Jo. She was playing. She introduced us to her friends as ‘her brother’s parents’. Near enough. Just missed the ‘in-law’ part. She thought we’d like it. 

The gallery upstairs was filled with extras from The Third Man. The craggy aged and the bright young things full of well-modulated certainty. Self-containment could have been a keynote. The expressive gestures had been reserved for appearance. Big scarves, greatcoats. Big and great carvings of hair. Hats: a fedora, a fez, several berets, yarmulkas, a beanie, several beanies and beanie derivatives in fact. Belts as a feature. As for myself, I was wearing Australian neat casual (think low end Henry Buck’s) which sort of set me apart from the crowd. Not unpleasantly. I felt that my unusual choice of dress was appreciated. Lots of leather, some silk, and a young woman who looked a lot like Marilyn Monroe at the divine zenith of her career. She may have been making a formal contribution to the event, or it might just have turned out that way. Later she was revealed as the girlfriend of one of the singers. I was gradually edged off my bit of bench by someone amiably drunk who could have been a Romanian countess, hair dyed an assertive pink. 

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So. We have three rooms full of paintings curated by our host Mr Konzett with a strong mittel-European flavour. Dark. Complex. Confronting.

We have a string quartet (Jo second violin), a recorder, a theorbo (see pic), and a harpsichord played by the conceptualist/ concert master, Michael Mautner. We have three singers.

We have a man intermittently reading selections from Goethe. We have a woman recording it all carefully on video.

Myrna’s fuzzy phone pic captures some of this. There were several dozen other people you can’t see.IMG_4204.JPG

I’m not sure if the paintings lining the walls of the gallery had been chosen for the event. Well … of course they were. 

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Dieter Roth’s ‘When signs are painted on the bed cover of words’ was the conceptual axis. (This is my sorry photo of a folded postcard collected on the night.) My translation of the notes for the occasion says: 

Like flames, red letters appear on a patterned fabric. Words and word fragments lose themselves in signs and symbols. “If on a bed cover … of words, characters … painted …”. (sic) What captures us in Dieter Roth’s painting are the insights, the intertextual symbolic references, the puzzles. Roth’s drawing and typeface send us on a search for interpretation. The work dates from the 1990s and is one of the central works of the event concept and the exhibition.

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Among the others was a portrait of Josef Beuys, one of my favourite artists, covered in gold leaf. As explained elsewhere on the net, ‘This image shows Beuys during his famous 1965 action How to Explain Pictures to a Dead Hare (Galerie Schmela, Düsseldorf). For three hours Beuys, his head covered in gold leaf and honey, held a dead hare against his chest and murmured into its ear. The action, which was only visible from outside, through the art gallery windows, was meant as a reflection on the limits of language and human intuition.’

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The dominant display though is photographic records of Otto Meuhl’s Materialaktionen, of which this is a more cheery example. They provide ‘motifs that seem to illustrate these moments, “ghosting – trance”, especially the prophecy itself, according to which Saul falls with his son in battle.’

From memory the event began with the spoken word which was followed immediately by Henry Purcell’s ‘Fantasia on one note’. More Goethe which of course I couldn’t follow at all. Then Terry Riley’s ‘In C.’

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This is the score. Except that I looked over the shoulder of one of the string players and she was working off what looked like a page of simplified guitar chord charts and a stop watch. But it was somehow utterly captivating. The person playing C gets a good go.

This was followed by John Cage’s ‘Five’ (for any five instruments or voices, and lasting five minutes), similarly atonal, similarly challenging. 

For the crowd these two pieces were the highlight of the night. They broke into delighted applause at the end of each, as though they had just broken into the heart of a Faschingskrapfen filled with perfect custard.

More Goethe extracts and finally Purcell’s ‘In Guilty Nights’, and this my friends was a show-stopper. (Listen to Julita Mirosławska and friends perform it here.) It was also the case that several members of the audience had fallen asleep and the bloke in front of me was checking the price of white goods on his phone. But there we were, just in this room — standing up, tired, hungry, people packed around the musicians, pictures of cadavers and tortured bodies peering over our shoulders — this collection of eccentric bits and pieces … an aural wunderkammer

What do you make of all that then? Pretentious bullshit? High brow rubbish? A waste of two hours? 

The notes conclude: ‘Whoever thinks of these pictures when listening to [this?] music, whoever thinks of this music when looking at these pictures, will discover something new: this is one of the main options [characteristics? aspirations? products?] of our concept concerts.’ Maybe not. I couldn’t make the connections that Michael Mautner wanted me to make. I won’t think of Deiter Roth when I hear some Purcell. For me Otto Meuhl’s horrorscapes are unlikely to generate a productive interaction with Terry Reilly’s insistent insistence. 

If you came to the occasion with an open mind and hadn’t already decided the whole thing was a Euro-existentialist wank, the real threat would be boredom. That didn’t happen. I was highly engaged by it all. The features of the context — the exotic crowd, the foreign setting, the unusual ambience — helped no doubt. The musicians, drawn from the very rich cream of the Viennese music world, were several rungs above excellent. I don’t listen to Cage or Reilly for pleasure but that night I could. Some at least of any experience of art is peering into the contents of someone else’s head, and I could understand Mautner’s intentions and respect his ambition. One could never doubt and, that night, share the seriousness of his purpose. I was entertained. Two years later it remains utterly memorable.

NUMBER TWO

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Same city a few days later. (Fans. Aussie fans.)

It was a considered decision to go. It’s not the sort of thing where you’re sitting at home on a Friday night noodling away looking through the Green Guide and thinking, hmm tonight: Bris v. Melb. Bloody hell. She’s not that into you. Urk. A really old Midsomer Murders that you’ve seen a couple of times. … How about we go out? That Eurovision-y thing, that’s on tonight isn’t it? How about that? Where’s it on? Vienna. Uh huh. … Where did you say?

There was some planning involved.

These are sordid confessions, but after searching for a source that would get me two guaranteed tickets and failing, I registered as a potential buyer (a prerequisite) six months before the tickets went on sale. On the morning at the requisite time I sat with my finger on the mouse and slammed it down at one second after the ‘go’ moment arrived and slowly proceeded through the digital labyrinth before stalling absolutely. What’s happened? Has the computer frozen? Has the ISP gone down? Has the copper line got wet again? Panic!! Back quick and start again — and thus lost my place in the queue — and after 80,000 tickets (there’s lots of bits of Eurovision, semis, shows for kids, shows of kids, etc etc) were sold in 12 minutes, I found nothing left that was of interest. In the sort of frenzy that grips one in such circumstances I dug digital holes in the internet and found a broker who in exchange for the deed to our house would provide two suitable tickets. Oh, and they had to be delivered to an address in Europe where I could physically pick them up and they wouldn’t be available until after we had started travelling, and so on and so on.

For years we’ve been big fans of the Eurovision Song Contest, an event when far far too much is not enough. Hear me sing: ‘We believe, we believe, we believe in the dream. We can shine. Shiiiiiiiiiiine. Woo-oooh woo-ooooh. Loove loove loooooooove. People if you can feel the love raise your hands up in the air. A million voices join in. Join innnn!!!’ Sam Peng and Julia Zamiro make it fun but we needed to see for ourselves, and on the 22nd May we found ourselves walking up Josefstadter Strasse to a station which would take us to the Stadhalle with two tickets to hand.

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The city was hardly overwhelmed but knew what was happening. 

The main interest was still Conchita Wurst (‘sausage’? Yes) who had won with ‘Rise like a Phoenix’ the year before. Austrian President Heinz Fischer declared her victory ‘not just a victory for Austria but for all diversity and tolerance in Europe’. Conchita may now be dead with Tom Neuwirth instead being the phoenix rising from the ashes, but at the time she wasn’t just promoting diversity and tolerance, but banking as well. [‘Austria won with Conchita. You’ll win with CashBack.’]

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We got there in time to enjoy the crowd, to be thoroughly body searched and to surrender our umbrellas.

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Our seats overlooked the ‘green room’ where the artists and their teams were preparing.

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Conchita descended from on high singing as she came.

And it was on.

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Woooooooooooooooooohh …

The candidates: Albania, Armenia, Austria, Azerbaijan, Belarus, Belgium, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, FYR Macedonia, Georgia, Germany, Greece, Hungary, Iceland, Ireland, Israel, Italy, Latvia, Lithuania, Malta, Moldova, Montenegro, The Netherlands, Norway, Poland, Portugal, Romania, Russia, San Marino, Serbia, Slovenia, Spain, Sweden, Switzerland, United Kingdom — 20 percent of the countries in the world. 

The ‘Big Five’ (France, Germany, Italy, Spain and the UK) automatically get in the final in this case with 21 others, along with that well known European country, on debut — Australia. This is explained thus: In honour of the 60th anniversary of Eurovision, the governing body had invited Australia to participate in the finals of the contest, represented by SBS. SBS has been a long-time broadcaster of the event which has a large following in Australia. 

Now it is important to say here that we were at the Grand Final Jury Rehearsal. With the rest of the sellout crowd we saw what the jury cast its votes on, a carbon copy of the Grand Grand Final with full country voting and announcement of the winners the next night. Albania, Hungary and Poland were obviously affected by nerves, but the performances were if anything slightly better than the Grand Grand which we watched from the safety of our hotel room.

It stood up to its billing. Fast, furious, enthralling. Paced by big, no huge ballads (Greece, oh yes, ‘One last breath…’ wind machine turned up to 11, Germany ‘You said you’d never go’, comparatively feeble, Italy, three tenors belting out ‘grande amore’). And oddities. A tree trunk of a Serbian in 40 metres of evening gown howling at the camera, Spain with a half-naked man over-enthusiastically wrestling the barely dressed singer. The Makemakes (Austria) set their piano on fire, the best part of their act really. Guy Sebastian (nice hat) came on and bopped his way through a surprisingly engaging song ‘Tonight again’. Australians will be glad to know he was terrific. It didn’t matter that he sang in Australian because most other people do as well.
IMG_0980.jpg Monika Kuszynska (Poland) sang from a wheelchair.IMG_0990.jpg

It was all decorated with scarcely believable light shows and underpinned by a superb orchestra. Staging staging staging. Simply astonishing. The eventual winner Mans Zelmerlow (Sweden, ‘We are the heroes of our time, but we are dancing with the demons in our minds’) was partnered with animation. Watch it. It’s worth it. Like everything else at Eurovision, except the voting, it only goes for three minutes.

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Sometime around here we paid a visit to the Leopold Art Museum and among the displays was one by Tex Rubinowitz. Tex ‘has followed the Eurovision Song Contest for decades with great enthusiasm, has experienced it live many times and has often been able to predict the winners. His main interest however lies with the losers of the world’s largest music contest.’ And Tex had given us drawings with stories of all those who had received ‘nul points’, no points, no votes at all, not from anyone, zero. One can usually assume that Austria and Germany will pump up each other’s tyres, but this night: Germany (pictured, just below us): Nul Points; and for the host nation, Austria, and its pyromaniacs, a well-deserved: Nul Points. 

It’s political. That’s one of its attractions. The Scandinavian countries will probably vote en bloc. Azerbaijan, Serbia, Georgia, Moldova and Belarus will vote for Russia. Latvia and Estonia won’t. Turkey and Bulgaria might come or they might decide they are not really in Europe. Could go either way. Israel? Why not Palestine; even Lebanon? No one will vote for the UK or France, often because they’re rubbish. (Bucks Fizz anyone?) It’s a bit like living out the current geopolitical disposition of Europe. That makes it interesting. 

But you don’t watch the Eurovision for substance or enlightenment. For a tutorial on how to win you could check this out. Everyone knows. It’s crazy. It’s spectacle. It’s kitsch*, high kitsch but nonetheless kitsch. The basis of the jury’s judgement is utterly mysterious. To explain the vicissitudes of the popular vote see above — but only partly. Partly, who knows? You can’t take it seriously, and yet, and yet, it’s peace and love, we’re all together (but not really), woooo ooh. And the winner is, well, the winner and at some atavistic level it seems to matter. Entertainment? Oh yes, and in so many ways.

A side note, during the 2015 results loud boos erupted whenever Russia was mentioned. Russian entrant Polina Gagarina was seen crying in the highly exposed green room. The organisers had anticipated such reactions from the crowd, and had prepared and installed ‘anti-booing technology’ cutting out these sounds from transmission. That night this gear was used for the first time in Eurovision broadcast history.

Somewhat undercutting the 60th anniversary explanation, in 2017 Australia will be represented again. (Guy came fifth, last year Dami Im came second. Will the final ever be held in Canberra I wonder.) The contest will be staged in the capital of Ukraine, Kiev. There is every chance that the anti-booing technology may be required again. 13th May. Save the date.

NUMBER THREE

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A backyard in Warrnambool which is in fact a stage. The show: ‘Hairy black spider looking at the moon’. It is occurring as we look. This is one of the striding sections. It lasts about six minutes and it has a number of stanzas, variations perhaps. The aural component is a melange of words collected from favourite songs ‘… sexy, yes the spider is sexy, and are you going to love me, love me now, forever, I’m looking at the moon ….’ Visually we have a range of moves collected from dance class, from videos, from practice at home, from ideas provided by her parents. The artist is fully engaged, totally immersed without necessarily knowing what might come next. Extempore. Ad libitum. But a mind bubbling over with ideas which substitute for Olympic-grade lighting, an 80-piece orchestra or a theorbo and which fill and transform this unlovely bit of western Victoria.

It does go on a bit, but it’s a show, and we love it because we love her. That is also entertainment.

What you’re hearing is something we can call organicism. A vision of culture not as a loose assemblage of disparate fragments but as an organic unity, each component, like the organs in a body, carefully adapted to occupy a particular place, each part essential to the functioning of the whole. The Eurovision song contest, the cutouts of Matisse, the dialogues of Plato are all parts of a larger whole. As such, each is a holding in your cultural library, so to speak, even if you have never personally checked it out. Even if it isn’t your jam, it is still your heritage and possession. Organicism explains how our everyday selves can be dusted with gold.

Kwame Anthony Appiah (read it all hereBritish-born, Ghanaian-American philosopher and cultural theorist

Kitsch (loanword from German) is art, objects, or design considered to be in poor taste because of excessive garishness or sentimentality, but sometimes appreciated in an ironic or knowing way. [Exactly.]

The Miracle

For Geoffrey, who knows it all already.

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Bourke St, Grand Final week. (pics: Findlay Films)Bob Murphy.JPG

I was there. Round 3 versus Hawthorn. The Hawks had got out to a 30-point lead midway through the second quarter but the Dogs pegged them back with five unanswered goals and then poked through another four — from unlikely sources. Shane Biggs, for example, got two. Eleven Dogs players kicked goals that day. Caleb Daniel, the semi-adolescent helmeted ant, had been everywhere. From a dispassionate view, it had been a showcase of fast fluent elegant football. But then, like they do, like they had for the last three years, Hawthorn came pumping back. A seven goal last quarter. Sicily (who’s Sicily?!) kicked three before Jakey Stringer managed an unlikely effort to put the Dogs three points up with a couple of minutes to go.

Having trouble with the tension — because I knew we could beat them, it was just when — I’d left my seat 15 minutes before, wandering heart pounding round the passages of Etihad Stadium, catching glimpses of the game on the TVs, through the entries or the spaces left for the wheelchairs, trying to read what was happening from the crowd noise (47,000 in). I got down to the bottom tier and stopped in the aisle just behind the goal posts, 30 metres from where Bob jumped to spoil Sicily landing awkwardly. I could actually see the look on his face. He knew he was gone.Unknown-1.jpegRuptured anterior cruciate ligament in the same knee he’d wrecked in the same way in 2006. Surgery, then out for the season.

images.jpegThis is Bob. Bob! Our Bob, our favourite, who could be the most popular footballer in the Australian Football League. Witty, smart, thoughtful Bob who for a time wrote the most engaging and quirky football column going round, Melbourne’s civilisation made flesh. A gentleman, son of a former nun and a priest if that matters at all, kind, committed, the face of the AFL’s go at feminism, the ‘I want to play football like a girl’ campaign. In 2015 he was chosen in a wildly popular move as All-Australian captain. And his football skills … silk we say. Just silk. Not quite Chrissy Grant, but damn close. In his pomp you’d go to the footy to watch him. 

That week I wrote him my first ever letter to a footballer, remembering him as a skinny twig and the tip from Ron Ikin that he was going to be great. He’d played football with the People’s Beard (Murph’s fond name for the stalwart ruckman Ben Hudson), he’d played in three preliminary finals, he’d drunk coffee at The Auction Rooms with Roughy. He didn’t have to, shouldn’t, feel he owed the fans anything. If he went through the rehab and another pre-season, he’d be suiting up in 2017 at age 35, at the very margins of a professional sportsman’s working life.

That was Bob gone. The heartbeat of the club. Coach Luke Beveridge, a close friend of Bob’s, was in tears at the post-game press conference as he suggested that the Western Bulldogs were a glass half-full club and that they would dust themselves off and be ready for the Blues next week.

And so we were. We won. But we lost JJ, Jason Johanissen, the form attacking backman in the comp. Matt Suckling went off with an ankle and possible knee injury that never seemed to get better. Tom Boyd got the shoulder injury that dogged his whole season. The week after, Luke Dalhaus did his medial ligament. A couple of weeks later big Jack Redpath from whom the coach had coaxed a whole new level of commitment and capability did his ACL. Jake Stringer had injury reports from five games in row. Mitch Wallis broke both bones in his left leg and waited screaming with pain for the ambulance. In the same game Dale Morris went off with a hamstring problem (and, as it turns out, played the last four games with two fractured vertebrae). Before the round 19 game against Geelong the team had to make five changes forced by injury. In that game Tom Liberatore played with broken ribs before doing something complex and more enduring to his foot. Jack Macrae did his hamstring. Marcus Adams who had been a revelation just disappeared with something wrong possibly with one or both of his legs. They are all first choice players, half a team full.

We kept winning quite regularly, with mystified journalists — when they could ever be bothered writing about the Dogs — labelling them in the most polite and second-favourite-team terms as unserious lucksters, cheeky pretenders. This was a team of mostly second string players punching way above their weight, just waiting to be found out really. And you look at the list and who could argue.

We dropped games to Geelong (twice), got beaten by St Kilda somewhat unnecessarily and were thrashed by Freo in the last game of the season. We had 15 wins on the board, but whatever you might hope you couldn’t expect much from the finals. Not legitimately. Seventh place. Everyone knows this is nowhere.

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How it used to be. Proper footy. Robbie ‘Bones’ McGhie preparing for the 1974 Grand Final. Centre half back! The wind would have whistled through him. Richmond by 40 points over North. Barry Richardson 5, Royce Hart 3. It might be forgotten that Bones came to the Tiges from Footscray and before ending up at South Melbourne, transfers which may have been driven by a shortage of smokes or Sharpie haircuts at the two previous clubs. Note lace-up jumper (and what a good idea that was) and tatts before people stopped commenting on tatts. (The photo is another Rennie Ellis masterpiece.)

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images.jpegI grew up in the bush barracking for Fitzroy. I liked their colours, maroon, royal blue and gold; plus it cut you out from the herd. Especially seeing they never won and hadn’t won a Premiership since 1922. That may be what drew me to them. Underdoggedness.

When we moved to Melbourne and I started taking the football more seriously, I used to get upset watching them lose. So under some modest pressure I began to accompany Mr Ainsworth to watch the Dogs, Mr Ainsworth being a rusted-on-from-birth supporter who to some degree structured his life around the footy season. We were subsequently joined by Mr Smith and Mr Keenan who is no longer with us. That’s all a long time ago now. I’ve probably seen about 450 Dogs games. 

This is also history, but the trips around to the suburban grounds were about 15 percent 0f the attraction. It was a big day out to Moorabbin but, wading our way through the black bomber jackets and big blond hair, we could never work out where to stand. We most certainly had our spot on the hill at the Western (later Whitten, but for me always the Western) Oval between the stand and the Barkly Street end with Big Nose, Fat Guts and The Maltese and his two kids. If the football palled you could always watch the sunset’s developing reflection across the river flats on the newly built Rialto and the other city buildings. That’s what you can do from the west.

If 15 percent of the attraction was touring Melbourne’s suburbia, 50 percent was the growth of a narrative around the players. The majority of these 35 or so years have been lean pickings in terms of wins, but there was always someone to talk about. Unknown-1.jpeg
The Hawk, for example. Dougie Hawkins, football genius, crazed human being, uncontrollably bubbling over with life. Geoffrey will want me to remember the confession in his ‘autobiography’ Hawkins My Story: Both sides of the fence that he was going to/had? burnt dczdy0o0uyaa9j8gown the house of someone who’d bothered him. He was captain for four years (1990-93) and was club games record holder for 12 years till Chris Grant ran him down in 2006. He also ran for the Senate as a member of the Palmer United Party in 2013. 

We loved Ricky Kennedy who spent his time troubling the kidneys of opposition forwards. Super Steve McPherson, who you’d always pick but somehow never quite clicked into peak form: yet another Tasmanian enigma. The Wog Squad (Libber senior, Hose B and Dimma), at their best guaranteed to get the ball — or you die. Fossie Foster drifting across half back or half forward taking mark after mark. As good as Royce Hart? Definitely. He’d hand off to Mickey ‘Fruitcake’ Ford or Greg ‘The Iceman’ Eppulstun (recruited improbably from Won Wron Woodside) who we watched growing from mid-adolescents into men. Galaxy Coleman who tried hard but Lord he was clumsy. Coxy, who when asked in his AFL profile which six people he’d like to have dinner with passed on both Nelson Mandela and Elvis Presley and nominated ‘six strippers’. Simon ‘The Stock Broker’ Beasley (and er hem … ex-bookmaker, a little trouble with the law) who kicked 105 goals in 1985. We could never work out how. John Georgiades who kicked 8 goals in his first game and then never got another kick. Ilija Grgic, Steven ‘Koly’ Kolynuik, Steven ‘Kretters’ Kretiuk, Danny Southern: hard men of the west. Some of them could play and some couldn’t, but we built them all into stories.b454867cd4949d836869abbedb0f507b.jpegMick Malthouse at left, was the first decent coach we had while I was in attendance, among extraordinary dross — I give you Royce Hart, Bluey Hampshire, Alan Joyce, Peter Rohde. (Note the sponsor. Eastcoast Jeans for the Western Bulldogs. This asymmetry used to drive Mr Ainsworth mad. ‘They can’t bloody get anything right! Etc. Etc.’)

Mick is with Jimmy Edmund. I loved Jimmy Edmund. He was captain from 83-85, which included a preliminary final. The previous years had been incredibly lean, years when the handpass which bounced at least once to a team mate was instituted as a mandatory skill, but Jimmy had a bit of a vibe about him, one of those strong medium-size players that on a good day can turn a game. We were up there on our hill one day when, clearly under instruction, Jimmy ran onto the field to the centre bounce, biffed someone, then ran off again. It was, I think, a most defined and truncated version of what is known as ‘flying the flag’. There’s lot of that residual detritus lying round in my mind.

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Of this ‘team’ I saw Gary Dempsey, Scott West, Choco Royal, the Hawk, The Stockbroker, Kelvin Templeton, Brad Johnson, Scotty Wynd, Little Libber (both Brownlow medallists, awarded for best and fairest player of the season although opposition fans like to question Mr Liberatore senior’s fairness). And all-time legend Chrissy Grant. Mr Fairness Itself, who was robbed of his medal. There’s some good players there, but it wasn’t necessarily The Greats we were interested in.

The other 35 percent of the attraction? Match results I suppose. On the field winning was a brief frisson of pleasure rather than an expectation. Off the field things always seemed rocky. Mr Ainsworth could usually help with insights into trouble at the club. We always seemed to be selling our best players or our captain. Ian Dustan, club champion three years in a row and with Kelvin Templeton holder of the highest score ever kicked by two players in a game (22.12 between them, July 1978, how about that!) got sold to North. Jimmy Edmund got choofed off to the Swans. You’d just get a bit of momentum, and clonk!

The major crisis occurred in 1989 when Nick Columb, a fairly colourful racing identity, became President of the club and decided it was broke. While he was promoting the idea of a merger with Fitzroy, the administrators were taking the heavy equipment to the door. The supporters exploded and Peter Gordon and Irene Chatfield (the face of the fans) took over raising enough money to pay off the most urgent of the debts.

Since then there’s been enough wins to keep the fans interested if not ecstatic. Terry Wallace and Rocket Eade were professional coaches who had quite lot of success (in Bulldogs terms: not bottom three). But then there was the McCartney era, 2012, 13 and 14. Everyone agreed he was a nice bloke and ‘a great teacher of men’ to which I used to reply, but no one’s idea of a football coach. We seemed to have a fair team that couldn’t win — 15th (out of 16) in 2012, 15th in 2013 and 14th in 2014. At the end of 2014 the Coach was sacked, the captain asked to be traded to another club and Brownlow Medallist Adam Cooney went to Essendon.

Returning to the present, on Grand Final day, Bob wrote in ‘The Age’ newspaper: ‘A football club’s history is a delicate balance. There is a wafer-thin line between romance and baggage. … At the end of last season I spoke publicly about the fact our club was bruised at the end of 2014. But the reality is we were merely nursing the freshest batch of bruises. Like a Scottish loch, some of these waters run deep. I’m told my club has an ancestral link to Scotland. There’s a clan who know a thing or two about the ripple effect of defeat. For all of my club’s glorious romance of survival and the spirit of working-class heroes, the scars of our past are visible like the thousands of lochs on a Scottish map. With only one premiership in 91 years there are far too many of our clan who feel disgruntled, bitter or unfulfilled. Some have left, never to return.’ That was the grim bit, the calm reflective bit, of what he wrote.

images-3.jpegThat’s us. All-time Dogs hero Teddy Whitten with a pillar in his head. (I’m sure that wasn’t intended.)

•••••

Even if we finished seventh in 2016, we were still in the finals. Dogs’ fans could anticipate the season would last one or maybe two more weeks.

To start with we had to beat the madly in-form West Coast Eagles in Perth, a close to impossible task. The Eagles had lost just seven of the last 32 matches they’d played at home. You had to play the 22 on the track and the 50,000 in the stands. However, the  Dogs’ midfield began with a sustained assault. Caleb Daniel and Luke Dalhaus just … well they just … performed. At the final siren Dogs by an unprecedented 50 points. The only downer was Lin Jong, The Chinese Footballer, who we love, breaking his collar bone.

Next up was Hawthorn. Hawthorn who always find a way to win. The last three premierships in a row just for example. Mr Smith and I were in the best seats in the house, front row of the upper deck of the Olympic stand. I’d been waiting for this, because I knew this was the time that we were going to beat Hawthorn, and it would be a great pleasure to stick it up those brown and yellow arseholes. (Sorry. Lost it there for a moment.) It looked a bit dodgey for the first half. We were holding them but only by the fingernails. They kept getting away like they do — the Cyril factor. But at half time we had scored the last goal and there was a sense that things might turn. Then in a sustained burst of brilliance  — and no one, just no one, does this like the current Bulldogs (samples here) — we kicked eight straight. Game over. The Three-Peat boys had finally met their match. We tried our best to be nice to the dairy farmer from Terang and his family who were sitting next to us, the only Hawks supporters in a block of Doggies fans, promising in future to always pay a fair price for milk, but I went home grimly replete.

This win meant we were in a prelim (the game before the Grand Final). Since and including 1954, the last premiership, Footscray/Western Bulldogs has been in 11 prelims and lost 9. I was present at six of those losses: 85, 97, 98, 08, 09, 10. Before some of these at the ceremonial pre-game dinner we had discussed how we’d go if we ever got into a grand final and agreed we wouldn’t be able to cope.

In 97 we lost by two points after leading by 22 at three-quarter time AND after Libber had kicked a goal that was called a point. (AND Chris Grant, one of the fairest players to have pulled on boots, polled the most Brownlow votes only to have its award disallowed after he had been suspended not on the basis of an umpire’s report but unprecedented intervention by Ian Collins, at the time AFL Director of Football and previously Chief Executive of a rival club. That’s a Footscray story, one that actually still burns.) Seven points down against the Saints in 2009 after a bodgey free kick in front of goals (against Brian Lake, to St. Nick ‘you can’t touch him’ Riewoldt) before the ball had even been bounced at three-quarter time.

The opponent was to be the Greater Western Sydney Giants, the ersatz team made up of first round draft picks and ageing stars. In Sydney. At some dog box stadium that seated 20,000 people. ‘Age’ journalist Greg Baum, on the dot as always, described it as ‘the team long overdue for a premiership versus the team precociously ahead of schedule. The team that has paid its dues versus the team whose dues have been paid for them. Cinderella versus the ugly  sisters. … A team with one-and-a-half players worth of talent in every position versus a team whose coach implores them to each play like one-and-a-half men.’

‘The football was magnificent, the tension almost unbelievable’, says the AFL website’s match report. The Dogs kept just ahead for the first half, then Roughy got a ball in the face that left him temporarily blinded in one eye. He wasn’t coming back: so no ruckmen at all, Tom Boyd and Zaine (sic) Cordy trying to make a game of it against Man Mountain Mumford. Three goals to GWS left them, for this game, well ahead, but somehow the Dogs scrambled a couple back. Three-quarter time and the Giants were just one point up, dead even really, but after the break they kicked two quick ones: 13 points up, an insuperable lead in this game. But these boys play till the end. Aforesaid Zaine Cordy got one which was more than his brother (Ayce (sic)) ever did. Then after a scintillating run, JJ flicked the ball over towards Bontempelli, who in his languid way just let it bounce and paddled it until it came up into his hands and The Bont wasn’t going to miss. Jack Macrae slotted the sealer. His first set shot and first goal of the season. A six-point win.

I was sequestered in a Daylesford motel room watching this game. Sometime later when company arrived there were questions about my health because I was so pale.

• • • • •

Grand Final. First time for 62 years. How do you accommodate this? 

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First, by going to New Zealand. Here I am sitting in our room at the Bolton Hotel in Wellington. (Mr Ainsworth was in Milan, Mr Smith in Kilmore.)

Second, by asking the help where I could find the game televised. They were capable of many things but seemed to go to the thinnest of water at this most important request. As it happened I found it in our room on an obscure cable channel called Duke devoted mainly to transmitting American college sport. Didn’t matter though. Not one whit. Because that night we were going to see NZ Opera’s version of Sweeney Todd at the Saint James. I can only say I’d arranged all this long before there was any chance of the Dogs being at the pointy end of the finals.

I watched the anthem and the first five minutes. No one appeared to be able to hold the ball. It was like soap. Then it was time to go. Deep breath for the pleasant half hour walk along The Terrace to Courtney Place. We hadn’t decided where to eat occasioning the usual crisis and in our meanderings we went past a pub where raucous patrons had the game on. I don’t think they were watching, and if they were they weren’t concentrating properly. Any game requires focus; how much more so a grand final? Five minutes to go in the first quarter, Dogs four points up. I tried to ask the motley about the run of play but they seemed to have no idea what I was talking about.

We had dinner a few hundred metres up the street, a slightly tarted-up version of a Turkish takeaway where the food never seemed to come. I was a bit on edge. The conversation didn’t really flow. The meal did come. We ate it. I ran back to the pub. The score box said five or so minutes to go in the second quarter, Swans up by 8. The punters seemed to have lost all interest. I ran back to the theatre because it was time to go in and anyway I couldn’t focus.

We saw an exceptionally fine version of Sweeney Todd, Teddy Tahu Rhodes being wonderful in the main role, Antoinette O’Halloran perhaps even better as Mrs. Lovett. I stayed calm at interval and didn’t race off down the street, just stood there looking benign and foreign. What I wanted now was to immerse myself in the second half of the music, walk quietly home, open the AFL website and look at the worm — the score progress graph — and that’s just what happened. Myrna took a look at me and said, ‘Lost by five points.’ And I said, ‘No. We won.’

• • • • •

How do you deal with the impossible? Just because it’s desirable doesn’t make it reasonable or — ready? — processable.

Before the Grand Final Lord Rowland dropped me a line wondering ‘what odds would have been on offer six months ago on:

  • Being in the AFL Grand Final – 30/1?
  • Winning the AFL Grand Final – 50/1?
  • Being in the VFL Grand Final – ?
  • Winning the VFL Grand Final – ?
  • Winning both Grand Finals – 200/1?’

10,000/1 more like. Matthew Lloyd, current doyen of tipsters, tipped against us in each of the finals. We’d done well he thought, but now for the real stuff. Well Matthew … But everyone else who wasn’t seduced by the romantic dream knew we had no hope.

We started from seventh place. We had to win four on the trot against opponents who for various excellent reasons were most unlikely to be beaten. We’ve got a team that includes: Z. Cordy, F. Roberts, J. Hamling, none of whom could possibly be in a premiership team. Daniel, Dunkley, Hunter, McLean are good kids, but children. We do not have a power forward. Jakey Stringer has become ‘The Package Unwrapped’, a mile out of touch. Best forward: Tory Dickson. Crikey. Against Buddy Franklin and Tippett? You jest. We’re very short all over the field. Even helmeted, Caleb Daniel just rises to most people’s nipples. We make Dale Morris, a Collingwood six-footer, take on and beat gorillas every week. We haven’t really got a ruckman. And we didn’t have Bob…

But above all, we don’t have hope, not really. Which is to say that we make no assumptions. We qualify hope, measure it, keep it in its place with the lid pretty tightly on. The boys do well. We like them. They’ve had a good year against all sorts of adversity and they seem a nice bunch. We’re not the types who go along to grand finals. Not to play anyway. And that’ll do fine.

• • • • •

Before the game one of the commentators describes the Dogs perhaps unnecessarily as having been ‘a carcase on the football landscape’, but Bevo in the pre-game interview suggests ‘there’s a bit of glue there’. Danny McGinlay’s so smart run-through banner says: ‘We’ve beaten all the others/ defied all the odds./ Today this team of puppies/ become true Bullgods’.

The first quarter is one of relentless pressure — no biff, nothing unbecoming, nothing spiteful. These teams are going to win by beating rather than bashing the other side. Just relentless pressure, as Dennis Cometti says, like a game of pinball. The Swans miss two easy shots, and so go eight points up rather than 18. That helps. Cordy (Z.) misses Lachie Hunter clear in the goal square but then produces a remarkable tackle and kicks a goal from the boundary line. Buddy Franklin has rolled his ankle but Hamling has beaten him one-on-one twice already. No one is ahead. Neither team has got off to their lethal flying starts.

One minute into the second quarter Tom Boyd, the six million dollar flop, kicks a very difficult goal from an un-Tom-Boyd-like mark. Hamling and Roberts, journeymen at best, are playing the games of their lives in the backline. The Swans’ Grundy takes something that looks a lot like a mark, but eventually it spills and Tory Dickson cleans up for a goal. Picken gets another beauty. At the 12 minute mark we’re 16 points up. JJ is getting a lot of the ball but keeps kicking it to the opposition. Josh Kennedy, such a good player, has just cut loose for the Swans. Bang, a goal. Bang, a minute later. Another one. The Swans are getting on top. They’ve kicked four goals in seven minutes. Toby McLean gets a dodgey free and then just before half-time has a no-look snap from a scrimmage in front of goal, and after an 11-goal quarter it’s the Swans by two points.

At half time we get a look at Bob Murphy, floating round in some disembodied state, madly chewing gum, his eyes glazed and impenetrable, clapping his hands in some sort of dedicated but directionless encouragement. Disposals 198-197; inside 50s 25-24; contested possessions 80-79; time in the forward half? Exactly 50-50. Even watching the replay for the third time my palms get sweaty.

Tippett, who without dominating has been playing well — the Swans are no pushover at the best of times — takes a good mark but misses with his kick. Tommy Boyd has somehow developed soft hands to go with his wrists of steel and his usual stiff-arm marking style. From a play he has initiated, Dickson flicks one through and the crowd goes insane. We’re ahead again. Jack Macrae gets a whack on the head from Laidler after a mark. Fifty metres (always a very useful penalty). But he hooks it, a big chance, missed. Jake Stringer kicks another possession out of bounds on the full. He couldn’t hit a barn door today. There’s a scoring lull, but it’s full of incredible tackling, full of lucky and unlucky bounces, endless half volleys: nothing is clean possession. Rampe stands in a tackle and gets pinged for holding the ball. A margin call. Free kick count 17 to 4 our way, but there have been plenty of games over the years where it’s gone the other way. Might be our turn; success breeds luck perhaps. The Bont has come good and Boyd (T.) takes two more killer marks. At three-quarter time we’ve had 7 of the last 10 scoring shots, but we’re still only eight points up. Have we squandered the championship quarter?

Last 30 minutes for the year. Four minutes in Buddy gets a goal and Papley has already kicked a point — so there is one point in it. Is this the end? The Sydney steam roller about to come good? 12 minutes to go and Jakey finds a trademark stroke of genius and gets one from nowhere out of the back of a pack. They can’t break us. Not yet.

Mr Ainsworth has watched the game a number of times wondering just when it was that we were going to win. I say it was this.

Thirty metres from the goals Papley kicks into Biggs, the man on the mark. Biggs follows up but is tackled. Dalhaus gets a tap forward. Lloyd (Swans) picks it up but Biggs smothers his handpass. Macrae gets it, off to Dunkley who handpasses ahead of Biggs yet again. Cordy (Z.), shorts pulled off displaying his nether regions, gets it out of a pack but can’t quite get it onto his boot. It spills to Daniel who gets it to Tom Boyd who kicks into the back of Stringer. It’s in the air. Biggs gets it again but is immediately stripped. A Swans handpass, desperate and misdirected, is picked up by Dunkley, to Macrae who somehow flicks it off his boot over to McLean who spills the mark into the path of Picken who picks it up and goals. 

From Papley lining up to kick the ball until the goal umpire has raised two fingers, time elapsed: 39 seconds. (A chauvinistic moment, Australian Rules football, surely the greatest of all team games.) The turning point wasn’t Picken’s goal. It was the absolute determination in that passage of play, this late in the game, to keep control of the direction of the ball. We’re seven points up and there are still seven minutes to play. Enough time to lose it, but not if we play with that sort of desperation. 

In his game day ‘Age’ article Bob had also written, ‘I’ve tried to explain with varying degrees of success that en masse we are an uncomplicated group. That doesn’t mean simple, only that these Bulldogs have a gift for simplifying things. Considered as music, we have some virtuosos with classical training. But for the most part this is a garage rock band. Tell us when the game starts, we’ll plug in and crank it up to 11.’ With seven minutes to go in the last quarter they were still at 11, even 11.5. They weren’t going to lose it from here.

A minute later JJ ducks past McGlynn and kicks a long one. Huge. This must be it. Unbelievable noise from the crowd. The umpire has the ball back in the middle ready for the bounce, when a score review is called for. The replay shows that the ball has somehow bounced on but not completely over the line and the Swans’ Laidler has touched it on the bounce. One point. Back to the old days? The curse? Macrae kicks another point. Then Dale Morris with his two fractured vertebrae runs down Buddy in the centre of the field, a free, but advantage — play on. Tom Boyd picks it up and from 80 metres has a shot and it bounces … bounces … through. ‘And the western suburbs erupt’, says Dennis Cometti. This must be the cork in the bottle. Fifteen points. Yep. It’s looking like it. McGlynn (Swans) misses a set shot from thirty metres out and hangs his head. Tommy Boyd kicks a point. Can the Swans get three goals in five minutes? Probably not. Two minutes fourteen to go Stringer squares a beautiful pass to Liam Picken who controls it well enough to get his boot on the ball from just a few metres out. What a game he’s played. That’s the absolute sealer. We will win. The coach comes down from his box to the boundary line. Bob’s there too, tears streaming down his face. Bench: Hunter, Boyd M., Smith, Cordy Z. (sic). The siren goes as Toby McLean misses a set shot. Chrissy Grant and Rohan ‘Bubba’ Smith embrace dissolving in their own sets of tears.

There were those who put it down to the controversial bye before the finals which gave five of our injured players an additional week to recover. Or the injuries during the game to Buddy Franklin (who didn’t seem to be impeded) and Hannebery (only towards the end of the game). Sydney’s foolishness in picking McVeigh and Mills who were clearly not fit was noted. The internet seethed with the free kick count and the number of dodgy ones that went our way and there was some weird Trumpian inference that the only explanation for the result was that we must have cheated. Bruce ‘Cyyyrrrrrrilllll’ McAvaney, unbearable man that he is, was more interested in the retirement of his co-commentator than the result. But we won. 

Let it be recorded: Dogs 13.11.89 Swans 10.7.67.

• • • • •

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JJ was awarded the Norm Smith medal for best on ground. If any individual could have won it, it should have been the Swans’ Josh Kennedy. The point of the Dogs is that no player dominates or wins a game on their own. Boyd T., Boyd M., Morris, Hamling, Roberts were all great; but it was Dalhaus and Libber who were at the bottom of the packs, the fundamental part of the swarm that won the game; Jack Macrae gave his sweet left foot a big work out; The Bont … always; Dickson kicked the goals; Picken! Picken, ah … and so on.

Then in the post-game carry-on two unusual things happened.

No one made the traditional Australian ‘thank you’ speech, the one that begins ‘I’d just like …’. In his concession, Keiran Jack the estimable captain of the Swans (who have a player-instituted ‘no dickheads’ policy, bless them) began: ‘Just huge congratulations. You guys play footy the right way, so you’re well congratulated today.’ Honourable, decent, respectful.

And there was none of the conventional idiot triumphalism from Bevo. ‘It took our very best to beat the Swans. They’re a tremendous side. At half time I really thought it would take something extra special to win. The boys had given their all already. … And to you, the fans, we’ve felt like the Beatles this past week. You’ve boosted our spirits. We’ve ridden on your wings really. Our players couldn’t have given any more. They’re totally spent.’ Just as he says this there’s a cutaway to the players who are jumping up and down, hugging each other, clearly far from spent. It’s himself he’s talking about.

‘Thank you very much.’ And he turns away, but then as though drawn by something important he turns back to the microphone and says, taking off his premiership medallion: ‘Before I go I’d like to get Bob Murphy up on the stand. … images-article-2016-10-05-gettyimages-611911396This is yours Murph. You deserve it more than anyone else.’

A short while later, Sam Lane, a female journalist, they’re friends, catches Bob who’s worn his game day jumper under his track suit top. Catching him has not been an easy task. We have been watching him having an out-of-body experience geeing up the crowd to roar even more.

‘Robert Murphy, Robert Murphy can you put into words what is running through your veins?’

He struggles, visibly. Then he says, measuring each phrase: ‘We must be dreamin’. It’s somethin’ else. We didn’t even allow ourselves to daydream about this. (A second wind and really to the crowd) Sons and daughters of the ‘Scray, we’re bringing it home. Hoooooomme.’ He strides away gesturing to the crowd still warbling.

And we won, he won, but he didn’t play and the next day he gave the medal back. The AFL, recognising that something special had happened, had already replaced Bevo’s medal, and the spare one is now in the Western Bulldogs museum celebrating the love and respect one can have for one’s fellow human beings.

After the game Boydy said: He [Bob]’s our leader. We’ll just have to do it again for him next year I reckon.’ Aged 35. He’ll be deft and experienced but the injury will ensure he’ll never be as quick or agile as he was. Maybe Bob’s role is spiritual adviser. Maybe we won because he could devote himself to building a scarcely penetrable wall of single-mindedness and (good) will with Bevo. Maybe we won because he wasn’t playing.

• • • • • •

When I get the annual survey of club members it requests choice from a seven-point scale whether I am ‘not very interested’ to ‘passionate’. I’m not even torn at this point. Mr Ainsworth would be a 7, I come in about a 5. I barrack pretty emphatically but I don’t buy merchandise. I wear my scarf sparingly. Myrna wears the cap when we go walking. When Footscray won the VFL Grand Final and The Chinese Footballer won the award for best on ground playing with a partially mended collar bone, the other shoulder strapped to confuse the opposition, I was just as happy, happier, than when the firsts won. Unalloyed happiness. Completely uncomplicated happiness. But this …

The Dogs have caught the car. What now? I guess I’ll just have to go along to find out.

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#5 Be Here Now

IMG_0203Yeah, well he couldn’t work it out either. We asked him.

Tram (just visible in the background, the orange and yellow one) from Dogo Onsen to Okaido. Take the 10.02 JR bus bound for 落出. Get off at 久万中学校前 where it might be late. The driver of the connecting Iyotetsu bus bound for 面河 usually waits for 10 minutes. He will take you to 岩屋寺 where you get off and begin your walk.

And even though there was an unbroken procession of buses going through the Okaido stop, an hour and a half later that’s how it was. The traffic began thick but gradually dissipated as we headed down a very long, very narrow major street towards increasingly dramatic mountains. (Myrna’s photo: on her phone out the bus window)IMG_5637My Japanese expert, thank you Shelley, translated the sign for me. ‘CAUTION. From here on there are many curves.’ And so indeed there were. A long haul up and over a pass, but by the time we got to the bus change the mist had dissolved into a beautiful day. 

IMG_0162The first temple was about 800 metres from the bus stop and about 400 metres vertically, a heart starter. Iwaya-ji, The Cavern-housed Temple, Number 45, is set into the side of what is really a cliff face and was an intriguing affair. Internet information: 

This temple is one of the nansho of Ehime Prefecture and is one of the sites where mountain recluses and wandering holy men once performed their religious disciplines. Be sure to see the surface of the cliff above the temple. The mountain is famous as the dwelling place of seven kinds of sacred birds. Legend states that the temple was donated to Kobo Daishi by a mysterious female recluse named Hokke-Sennin. Was she a shamaness or just a woman well advanced in Buddhist training? [We may never know.] Kobo Daishi carved two statues of Fudo, one in stone and kept in a cave at the rear of the temple, and the other in wood and enshrined in the hondo. By keeping the stone statue in the cave, Kobo Daishi ensured that the entire mountain needed to be worshipped in order to worship the statue. This way the mountain remained sacred, just as it had been in Shintoism. Over time, every nook and cranny of the mountain became sacred and every rock and slope became part of the sacred object.IMG_0144ODSC01138n the way up you pass remarkable sets of Jizo statuary, which had been constant companions on the way. Jizo is a bosatsu (bodhisattva), a god? an entity? who has achieved nirvana but who chooses instead to provide assistance to others, in this case being the protector of many types of people including travellers, pregnant mothers, and in modern Japan in particular, the guardian of unborn, aborted, miscarried and stillborn babies. Jizo appear in many forms often decorated with bibs or hats. People who have lost children or who are seeking help for those who are sick, dress up the statues to keep them warm believing that if they clothe Jizo, so too will Jizo clothe their children in his warm robe of kindness and shelter them in his capacious sleeves. However expressed, there is something utterly poignant about this.IMG_0168AIMG_0174bove the temple is one of many caves nearby where monks have meditated for centuries. I climbed up to look at walls covered with coins and other offerings, but mostly coins.

‘Every nook and cranny of the mountain became sacred’ and every nook and cranny of the mountain was covered with interesting things to examine, as well as a maze of tracks which somehow didn’t seem to disturb its transfixing beauty. We deviated from the instructions but this splendid day there didn’t seem to be any wrong turns. We were climbing quite hard but it scarcely seemed noticeable. Transcendence? Sure. In its own way.IMG_0163When we reached the top there was a kilometre or two of plateau frequently with a sheer drop on one side of the track. Long views would suddenly unfold especially on the next descent. Glorious glorious walking.IMG_0187WIMG_0192e were sitting up in the air maundering our way through lunch complemented by some new discoveries from the Matsuyama shopping arcade, when I got the white book out again and realised it was going to be another rush to get to our bus. If we missed the one we’d set ourselves for the next one would get us home around 8.00, too late. So down through the paddies at pace and through the town of Fusuwara. We got two lots of additional advice about where the track restarted. Both were correct in their own way but incomplete costing us about 20 minutes. 2.3 the sign said when we got back on track, then 1.4 after that and, with a very steep and slippery climb included, 50 minutes to do it in. This colours the experience.

IMG_5689As things stood, after climbing very hard for about 20 minutes we topped out and had a steepish descent: steps, cobbles, following a concreted creek, in mud — all that. We saw the day’s second temple, Daiho-ji, Great Treasure Temple, Number 44, but didn’t stay. We had a bus to catch. We arrived a bit sweaty but deeply content at 15.38 for 15.42, four minutes, just time to breach the vending machine. This had been a fabulous (half) day’s walking. I would like to do it again, more slowly.

The arcade was quiet on our return. It was Monday and all the tourists had gone back to work. We went straight to the front of the line for the softu crema, orange this time and magnificent. (Oh dear. A theme. However it sounds, we did do more than eat softu crema and drink vending machine coffee.) Manifold interesting types of fish for dinner including this chap. They have very fine cooks at the Sachiya Ryokan.IMG_5692

Last day. Culturally crippled as I am, there was a fleeting feeling that a bed off the floor and something other than rice, tofu and fish for breakfast would be nice. Just a hint. And lo and behold, our hosts had worked out what we had liked and what we had left for the previous breakfast and tailored the menu accordingly. 

‘As with yesterday, please check carefully that you board the correct bus.’ We returned to the Okaido bus stop not actually brimming with confidence but we had been there before, we knew where the Starbucks was and where to sit to inhale the passing parade, and took the wrong bus. Wrong-ish. It was an Iyotetsu bus. It arrived at 9.33. I asked a bystander if it went to Niihama. He said sure. I asked the driver if he stopped at Ooto. He said sure. What are you going to do?

So, great. We’d got on the tour of the hospitals and community facilities of south-eastern Matsuyama bus. First stop the Cancer Centre, next stop the Matsuyamajoto Hospital, then the University Hospital, then an old folks centre. Only faintly troubled, we watched the aged and infirm emptying the seats. I tried the driver again. ‘Ooto?’ which might sound something like ‘oor-ooor-tee-orh’ and I wasn’t confident I had it down. He nodded reassuringly so we sat tight and, wrong bus right outcome, we did get there but 20 minutes after the appointed time. The appointment was with a taxi to allow us to miss another two-hour crawl up the bottom of a mountain. Time was important today because we had reserved train tickets to take us all the way back across the island to Takamatsu. And voila. Bless him.IMG_0204Another day in the forest and another very stiff climb. Writing about it in my journal that night I began: Maybe I’m too tired to write about this. It was just hard work right from the start, unrelenting. IMG_0010

Yes. This one. (With the merest hint of a General Teaching Council of Scotland paperweight Ivor.) But you might notice that once we had reached and enjoyed Yokomine-ji, Flat Peak Temple, Number 60, it was downhill all the way. Somewhere down here on the far distant flat was our station.IMG_0221One of the issues was that there kept being things to look at and enjoy, like these ancient man-made dirt ‘bridges’ between two humps …IMG_0216hollowed out versions of the track, here on a detour that extended the journey …IMG_0215and wandering down embedded stone steps while being assailed with constant birdsong.IMG_0212This too was great walking. And we didn’t want to miss anything. While you’re there … So we got off the track to visit Koon-ji Oku-no-in, Koon-ji temple’s ‘hidden inner sanctuary’. (Oku, 奥, with whom we were travelling, of course insist you visit it.) And how could you miss this?gods in creekFudo Myo-o at top with Kongara and Seitaka.

At 19, Mongaku experiences a religious conversion to Buddhism. Leaving his job as a civil servant, he takes a vow of poverty and sets off to the mountains to live as a wandering monk. In order to express his devotion, he sets himself a variety of impossible tasks. First he lies in a field for eight days and nights tormented by the hot sun and the bites of flies and mosquitoes. Next he decides to make a pilgrimage to the Nachi waterfall where the god of the waterfall lives. He wades into the pool at the base of the freezing waterfall, vowing to stay there for 21 days reciting prayers to the saint Fudo. [Saint eh? That’s another idea.] After three days the monk’s numbed feet slip on the rocks and he is swept downstream. Rescued by a passing stranger, Mongaku is anything but appreciative. He yells at his rescuer and immediately wades back into the pond under the falls. Eight boys jump into rescue him but he fights them off. After three more days the monk is so weak he loses consciousness and slips under the water. Fudo sends his god-like boy servants Kongara and Seitaka to help. They use magic to insulate his body from the cold. After being heartened by Fudo’s interest and concern he returns to the water and remains there reciting prayers for 21 days. Later, full of holy indignation, he fights and subdues The Dragon King, a sea god responsible for the sea and its storms.

I’m not quite sure what we can draw from that, or how it might reflect on Japanese culture, although it may help to explain some of its television game shows: you know, the ones where you have to eat 100 cockroaches while surrounded by people screaming. But after this, Koon-ji itself, Fragrant Garden Temple, Number 61, and resembling a large office block from the Brutalist School of architecture was small beer, and we still had two trains to catch.

FullSizeRenderWe were down in the town of Komatsucho by this stage with not much more than kilometre to go. Distracted by the boggled interest of some school kids, we weren’t quite sure how many right angle turns we’d made and asked a passing motorist for directions to the last temple, Hoju-ji, Preserved Treasure Temple, Number 62. She didn’t want to tell us. In a final gesture of ossetai she really really wanted to drive us there. But no, no way. Not today. We’d come this far and while trembling on the brink, we hadn’t tumbled over the train timetable precipice just yet. We turned a corner and in the far distance I could see a big traffic sign to the eki, which I knew was 100 metres from the temple. So we hustled along the footpath of a busy main road to find a good deal of Hoju-ji in the middle of major building works. The contemporary world will intrude.IMG_0231

And yes …IMG_0233with just enough time to tackle the vending machines.

••••

Did we get sick of temples? No. There are half a dozen more I’d really like to see including Number 88. Did we find them all interesting? No. It varied. But almost always. Shosun-jiIwaya-ji and Tairyu-ji I am unlikely to forget, not for the pain but for the reward of getting to them. Did we become pilgrims? No. We were just walkers having a red hot time. In terms of background, do I wish I knew then what I know now? Mmm … moot point. Not sure. It’s a bit like track notes. They never make sense till after you’ve done the walk. But there is nothing which sustains liveliness of mind more than the joy of initial discovery. Do I wish I had known more about temple etiquette? Yes. You light your joss sticks in threes and ring the bell once only. Anything a) less and b) more is egregious.

Myrna says:

It was like solving a puzzle every day. That’s the pilgrimage.

We ate outstanding apples, and great rice crackers. The white bait was full of flavour and life. We appreciated water. That’s the pilgrimage too.

As you go up into the mountains, with the effort and focus of the climbing and the constant presence of the natural world, the daily concerns of life just fall away. You are reminded of this by all those jizos which represent so much pain, parents struggling to lighten the weight of their sadness. Then you get to a temple garden and there is stillness and peace in the beauty, peace stopping the usual hurly burly of your mind. It’s not the religion or the ritual or the statues or the temples; it’s the experience. That’s the pilgrimage.

 

 

#4 Getting into Focus

IMG_0061The next morning we found ourselves on a train heading further west along the northern coast of Shikoku. It was a late-ish departure and we’d spent part of the wait in Kotohira at the Palanquin, a tiny establishment devoted to coffee and sandwiches, thick with smoke and rarely I think patronised by non-Japanese. We were treated with glee and lavish assistance.

Yeah this day. I’d forgotten about this day. Two trains to get us to Imabari, two hours, then enough time for a minor feast at the station’s Willie Winkie followed by a short bus ride. Soporific that’s the correct word, I was lulled into a torpor. Torpor: a state of decreased physiological activity in an animal. Torpor enables animals to survive periods of reduced food availability. Or it could be a consequence of stuffing your face. I hadn’t felt so full since ravaging the menu at the Tiger Gyoza Hall in Kyoto. It was very grey day, a Japanese grey day — misty, still, humid. Quite possibly there are many days of that sort round here.

IMG_0072We did get the right bus — however short the trip that is a prerequisite — and got off at the right stop somewhere in the middle of the countryside and walked back the way we had come to Taisan-ji, Tall Mountain Temple, Number 56. The temple itself was not of great interest, but its siting was. It felt just a bit like being in another world, a possible product of too many trains and buses. IMG_0078I liked this rock with its colourful striations. The small pine next to it is believed to cure all lower back ailments. 

Complementing my general distractibility, I was thinking about the Patisserie Sourire which we were to find just past Pao Guitars Bread and Cafe. Ah my, we did our best but it was never going to be great. Even with their most diligent enthusiasm for things French, the Japanese just don’t get cakes. We discussed this with a young Japanese New Zealander in the spa of the Kyoto Aquacentre. (And not everyone can say that.) She was studying to be a pastry chef and she agreed. Myrna turned up her nose but I did my duty and ensured there was no waste.

IMG_0085This sort of country. Saturday afternoon, and he was reefing potatoes out of here like you wouldn’t believe. I gave him a wave and a thumbs up without really knowing what that might mean in Japanese. He seemed pleased, grinned and gave a generous bow.

 

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And this sort of country. We were heading to a temple on the top of the ridge in front of us (which you can see with appropriate magnification) to spend the night. Our track took us along the verge of the trees. On the crest of the hill to the left is Eifuku-ji, Number 57 and, despite having a very clear map and the most thorough guidebook in the history of the universe, we walked straight past it. At the time, we were experiencing the impact of an adjacent tannery (as it happens the building to the left of the farmhouse) and were discussing what it would be like working there. And whether you’d ever lose the smell or whether it would attach to you like some succubus and you would take it to the grave. And the important place of dog shit in the industry. So, obviously, busy. As Maxwell Smart would say, missed it by that much: The Temple of Prosperity and Good Fortune wouldn’t you know. Real pilgrims would have been much more attentive.

Senyu-ji, Temple 58, is named for its location, the mountain on which it is built. You walk around a weir, the pitch is never too bothersome, you hit a road and think you’re there. We hadn’t done much walking, but it was about enough. Then we came to this gate.IMG_0092A mini version perhaps of the famous guardians of Senso-ji in Asakusa (eastern Tokyo). If so, they are Fujin the god of wind and Raijin the god of thunder. The road looked the easier option, but I had eaten the cakes and needed to perform some act of contrition. We made our peace with these chaps and headed through. Our progress was interrupted by some people in a car desperate to provide ossetai who, poor things, had to chase us 80 or so metres up some of the steepest and slipperiest steps going round. What was it? Bottles of drink, some crisps and lolly bars. IMG_5573We continued on 200 more metres making extensive use of the handrail, where there was one. That’s the ascent, the final 280 metres. What an entry. And we landed head first into thick fog.

IMG_0113We were staying here at the shukubo, pilgrims’ lodgings, billed as rather more hard core than those we had stayed in at Anraku-ji. One woman seemed to be running the whole show, doing everything, and it was big. There seemed to be 30 or so older pilgrims staying in a dormitory on the ground floor, 20 or 30 very polite young people who had a group cheer at the completion of their meals and maybe ten others, not quite like us but family groups, and then some people building a new shelter for the bell. It was a crowd. This is where the cuisine got the 0.4: unabashedly serious vegan, prepared and served by three people for all that mob.
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This actually was okay. She’s just a bit tired. And it reminded her of boarding school. Breakfast was mainly brown rice in tepid water and less good; but look, pilgrims, what should you expect?

I actually liked it here a lot. I enjoyed the bath. I reneged on attending the service — Myrna went — and didn’t feel I’d missed that much. Instead I started reading ‘The (bilingual) Teaching of Buddha’ which I found highly informative. When we left, very early next morning, I asked if I could buy a copy and was given one. Just for interest, our room, which looked a lot like many of the rooms we stayed in. Nice air here. We seemed to be catching a breeze which cooled things down making sleep more accessible.IMG_0097I woke at 5.00, chanting and bells began at 6.00 and we were gone by 7.00, a misty descent down a different route running into the man with the cameras  giving each other a considerable surprise as we did so. But it was early Sunday morning in Imabari, a funny sort of netherland that I found most attractive. Just us and the grey mist.IMG_0122Except for these guys — the number of Japanese, in Ehime at least, it takes to dig a hole on a Sunday morning.IMG_0123Carefully tended and extremely productive vegetable gardens (for home use presumably although there were some rather half-hearted roadside stalls), paddies which were dry unlike those in the east, and no sign of wealth. We stopped at a Lawson for some coffee and watched the morning unfold. People in their bed wear coming in for the paper and some food, girls out without makeup (!in Japan) and rectifying that situation while glued to their phones, dads and their sons getting something to take to sports practice or matches, casual reviews of the shelves to find something to take home for breakfast, a couple in a car, silent and immobile, who might have still been getting home from the night before. The stuff of life really.

There was only one turn in this leg of the walk and we duly arrived at Iyo Kokubun-ji, the State Temple of Iyo, Number 59, and almost immediately were accosted by a pilgrim who rather fiercely remonstrated with us for walking on the wrong side of the road, gathered breath, and then for walking too fast, and then spent some time trying to pretend he hadn’t. Japan has its fair share of officious arseholes. We thought we’d move on.

IMG_0130It was only couple of k.s to the station and they took us along a concreted canal which probably once would have been a creek, past tennis training where the Nishikoris of the future were playing very capably, four or even six to a court, past a school where band practice was in full swing and soccer and dance practice were vying for space in the yard. One of the complaints of foreign teachers working in Japan is that they work a seven-day week, 50 or more weeks a year, including summer camp supervision. To do less is to display lack of commitment. 

Iyo Sakurai station provided one example that not every bit of infrastructure in Japan is in exemplary nick.

IMG_0131And this is the local that took us to Matsuyama. Old people, women especially, and kids use the buses; but everyone uses the locals. Outside the major cities this is how people get around. 

Later in the day sitting back on the comfortable chairs in the terrace of our luxurious room in a ryokan just a dropkick from Dogo Onsen (below), one of the oldest organised hot springs in Japan,5502_01 and just as close to a shopping arcade with black sesame softu crema, I was thinking about where we were and what had been happening — no bird’s eye, no shape, bobbing up out the ground hither and thither. I was finding its intricacy  understandable but slightly wearing. Yesterday, we had been negotiating our way round a mountaintop temple. Today, in the heart of a tourist destination, choosing between a Lawson and Willie Winkie for coffee, eating an astonishing variety of food, encountering major variations in landscape … But then I thought maybe the medium is the message. This is how it is. This is what we were up for. If in some moments, and they were only moments, it was overwhelming, it was also unforgettable.

We ate some rather ordinary gyoza ordered through a wildly inefficient vending machine process and walked a kilometre or two towards our destination — it was still not much past midday — before deciding that a tram which would take us almost to the door of our accommodation would be a good idea. IMG_0132We had passed the Scrivener Department of the Ehime Prefecture Canal System and The Gright, billed in English as: ‘Location that has been the pride of the people living in Matsuyama, a place to make a lifetime of memories. Chapel and two banquet with the world feeling that has been refined in the quality of New York style. The hotel is a must to enjoy the special feeling and extraordinary feeling in spite of the wedding hall located in the good heart of the location environment. The wedding of a rainy day as a sunny day. Wedding winter day to as spring day. Us also give a sense of security to many people it is a ceremony of the all-weather.’ Inside, heaven:20150817shop_img9.pngviewWe were welcomed by another champion of the hospitality industry.IMG_0200A great man who couldn’t have been more helpful. We had a rest and then decided to see the sights. What was it again? When you’re there do everything? And the sights were readily accessible. There are eight 88 temples in or near Matsuyama and Ishite-ji, Stone Hand Temple, Number 51, was just down the road. On his death bed, centuries ago, someone called Emon Saburo expressed his wish to be reincarnated as a kinder man. Kobo Daishi honoured this wish by placing a stone in the dying man’s hand. It later reappeared in the hand of a new born child. A casket houses this stone here.

IMG_0147Sunday afternoon, and it was seething with o-henro and other tourists, a busload of Spaniards amongst them, who were behaving more egregiously than us at our worst. We were in town. The city gardens were on top of a hill which provided excellent views of the city and I had my bird’s eye view. We had passed the Dogo Onsen complex and stumbled over the Botchan Karakuri Clock, Botchan being a popular novel written by local Natsume Soseki and widely read by Japanese school children. On the hour the characters emerge and do their clockwork thing, delightfully, and then it all folds away till next time.IMG_0139At its base is a trough fed by a mineral spring for walkers to salve their weary feet, before heading off to the very fine onsen and the feast prepared at Sachiya Ryokan.

#3 Uneven Delights

IMG_5414 (1)Day 4. I didn’t really feel like I look. Just caught the moment. It had been a great day’s walking and I was actually ready for more, but we were shortly about to get off the mountain via cable car, ropeway in the vernacular. It was another nansho temple, Tairyu-ji, Grand Dragon Temple, Number 21.

We had shunned the taxi option and our splendidDSC01244 bus driver had dropped us off with 450m to climb in a bit over 3km, 1 in 6. That’s about what it felt like, but we were up for it that day. It was a lovely path winding through forest and we began with a preliminary reward.

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It was still warm but a bit damp, although not enough for me to put my slicker on. Just enough to keep a fairly steamy version of cool.
DSC01254Birds, salamander-like oddities in a pond, locals who wanted to take our photo, in and out of farmland, before hitting a very steep dirt track which brought us up to the road to the temple.DSC01256These temples all have road access. How else would you restock the vending machines? But in the mountains at least it’s odd how little you encounter them.

There has been a temple at Kakurin-ji, Number 20, Crane Forest Temple, for more than 1200 years and we were walking in and out of a thick mist which added to its atmospherics. DSC01275After a short look round on this peak there was a long but straightforward descent which just kept unfolding in its loveliness. Near this point we walked through a serious and extensive collection of bonsai and met the gentleman who enquired about the health of Murray Rose. His group of o-henro were having a congenial but lively squabble about directions. Newly seasoned and knowledgable etc etc, we were able to point them in the direction from where we had just come.

DSC01278DSC01280The Nakagawa River, famed for the clarity of its water but on this day an opaque icey aqua, was at the foot of this descent. Across this bridge the next climb began. For half of the way, this one stayed on a tarred road, very narrow — just trafficable if you were driving a Japanese little car or van — following a creek valley up the hill. Uphill but only vehicle grade. DSC01283Easy walking even meeting this friend on the way. The road led to a disused farm where this oddity appeared.DSC01285DSC01293As customary, just to keep you honest and remind you of a few salient things, the big climb is supplemented by several sets of steps. Tairyu-ji was being repaired but that didn’t interfere with its complexity and beauty. It is suggested that Kobo Daishi sat on a rock peak near here to practice Kokuzo Gumonji-ho, a short mantra. To pray for improved memory this mantra must be repeated a million times over the course of 100 days. You’d probably remember that at least even if nothing else.

Then out of the gloom we saw the friends (pink and white on the right) we had met initially at our first temple lodgings then again at each of four temples on the third day, and now here again — the fifth small miracle. Perhaps not completely unexplained as Kaoru was completing her pilgrimage and had only one stamp to collect to complete her nokyo-cho.DSC01294At the ropeway station we were offered and gratefully accepted a cup of mushroom soup and paid startlingly reduced fares: a version of ossetai for overseas visitors perhaps. All sorts of things were promised of the view on the 15 minute journey down but in thick cloud we saw nothing till the Nakagawa suddenly came into focus just below us. We found a Lawson (ubiquitous convenience store chain) which provided coffee and a snack and we found the bus which would take us back to Tokushima. It was full of school kids, about 30 of them, whose hot breath and damp clothes fogged up the windows instantly which is how those windows remained for the hour and a quarter of the trip. We got on at Wajiki East which sounds as downtown as it was. The terminus of the ropeway was the only real built feature and yet here come all these kids. From where? And going past how many schools in 75 minutes on the bus towards Tokushima? And anyway, doesn’t Tokushima itself have schools? Thirteen train stations, no schools?

Anyway the views were limited so we watched the kids (and vice versa) for entertainment. IMG_5454Half slept; this was a standard journey. The groovy girls in the back seat did their phones. We got back to Subaruyado Yoshino (the ‘Pleiades Ryokan’: subaru=constellation) to be accosted again by very good food in vast quantities, and a long and exhausting conversation in a combination of those well known languages Google translation and charade.

The next day began with, well actually excellent coffee at a Tully’s round the corner. Beyond that, a one-hour train trip north to Takamatsu and then a half-hour bus ride which would take us into Kagawa prefecture (‘Nirvana’). Near our stop we would find a taxi to help us bypass a 90-minute crawl up a paved road. The taxi delivered us to the entrance of Number 82, Negoro-ji, Fragrant Root Temple. DSC01316

We found most of the features here including this chap, a youkai. As an insight into the challenges of translating from Japanese to English the word youkai is made up of the kanji for ‘bewitching; attractive; calamity;’ and ‘spectre; apparition; mystery; suspicious’. Written Japanese seems to me to be as fluid and motile as public Japanese behaviour is precise, confined and measured. The kanji meanings bounce off each other like echoes in a well. As a reminder we live in the 21st century,  a contemporary youkai.Unknown 

On departure we had conversation with a pilgrim who spoke good English and who had quite a lot of questions. He was an interesting man: alert, calm, humble with a deep stillness, at once self-contained and yet completely open. I was going to say vulnerable, but that would be quite wrong. I wondered if this, made flesh, was the state that Buddhists aspire to.

We tromped out the back way. This section had another flavour. Initially it was a little like the outskirts of somewhere: here a restaurant, over there lodgings, here a bank of vending machines, toilets, a small shrine, over there what might have been reception rooms, a scattering of farm sheds but at the same time lots of forest, a nature reserve in fact. Different. And despite obvious directions, because of the number of roads and tracks a good place to lose your way. I pulled my glasses out of my pocket somewhere here and our map went with them, but it wasn’t far till we were absolutely en route to Shiromine Rest Area. From there the forest was more like subtropical Australian savannah. An occasional ooze of water through the track of dirt and broken rock, some desultory streams, comparatively low and open canopy, busy undergrowth and a tremendous amount of insect and bird noise.
DSC01326Shiromine-ji, White Peak Temple, Number 81, was a fascinating place with at least three major layers of buildings in the middle of very highly developed gardens. At the entry we were welcomed by this collection of maneki-neko, and then there were goats and chooks and sheep and birds and monkeys. And this chap. No idea who or what he is, but there will be a story. There always is.

DSC01329DSC01331This is also where my camera lens decided to stick on the limits of its digital zoom. This is the last picture it took — from about 40m away.

We sat down to a lunch of rice crackers and dried whitebait (with hindsight, not very Buddhist really, so many young lives) and I found myself singing away: ‘Immortal invisible god only wise/ in light inaccessible hid from our eyes/ most blessed most glorious the Ancient of Days etc’. I’d never really noticed the words, just as… mmm can I say loopy? as anything we were seeing here, just more familiar.

I was lying back into the day and the splendid temple surrounds when I thought I’d get the white book out to work out when we actually needed to be at Kokubu station. This train would finish taking us half way across the island to Kotohira, our bags and a change of clothes. 16.12. There would be another train, but we didn’t know when and probably not for an hour (17.39 I later discovered). 2.7km plus another 5.8, no map, maybe another one for getting lost, call it 10 — and it was 13.50. 

It wasn’t a relaxed walk. Myrna thought we were going about the pace we used to, but I don’t remember hurtling along like this, not for a couple of hours at a time anyway. We got back to Shiromine Rest Area 12 minutes quicker than the outwards leg. That augured well. The next section was a grassy road pretty much on the contour and we made very good time. 2.9ks to do in a bit under an hour. Cruising. But we were a long way up in the air and had to get down, so just as it started pouring rain we came to a few hundred metres of badly eroded steps with risers varying between 30 and 45cm. The worst. Clonk goes tibia on femur. Clonk. Clonk. Clonk. And that’s a fairly slow clonk clonk clonk.

We decided our target was the station and not the next and last temple. We saw one sign to the station and hared off in that direction. I think maybe we would have found it but not all members of the group agreed. So we waved over a driver who had a bit of trouble explaining just how to get there — we were probably beyond easy directions in any language — so she offered a lift. ‘It is the rain time after all’, and so it was. My companion accepted with alacrity, not because she couldn’t have walked to the station and the temple (Sanuki Kokubun-ji, Public Tribute Provincial Temple, Number 80) which was more or less on the way, but neither of us wanted to miss the train. It had been a slightly ratty sort of day. Missing the train would have put the cork firmly in the bottle. Five minutes later we trail cheaters had opened a Suntory Boss and a Coke from the station vending machine and begun arguing about which side of the line we should be on.
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The train to Kotohira was the slowest local ever. Ever. It didn’t just stop at every station, it stopped at every station to admire the scenery and discuss the weather. Just under two hours later we pulled into Kotohira in steady rain. We walked past this, the famous unmissable lantern tower, visible for miles, landmark of Kotohira, without seeing it. Probably more correctly, saw it but were beyond registering. We went straight on rather than turning left as instructed. Read the instruction but were beyond comprehension. This can happen.

IMG_0036Those instructions claimed that our accommodation was six minutes walk from the station. It might have taken us nine. Maybe 15. No disaster. We were the only customers at Kotobuki (Congratulations! or Long life!), sank into its bath and ate one of the really great Japanese meals ever. This wasn’t perfect classical cooking. We had some of that at Matsuyama and applauded it roundly. This was a meal cooked by people who have a deep-seated understanding coming from the very marrow of their bones for what would be interesting and tasty. They proved themselves to be wonderful hosts in any number of ways. IMG_0046

 

What do you do on a rest day? I had two things on my list: washing clothes and buying a new camera. Getting to the industrial-strength laundrette provided a substantial tour of the flat non-tourist side of Kotohira during which we saw three young non-Japanese people, the first for five days. They were looking lost. I did buy a camera, Myrna bought some clothes, we bought some excellent loquats which neither of us had had since we were kids. IMG_0016We went to see the Sheath Bridge. This is the information I have about it: ‘Year is a bridge that God is in you over only once. Since a little away from the approach you can see people even less slowly. It can not be over, but I recommend enjoy the view.’ Challenging, but I think — God is in the bridge. You can only cross it once (a year?). It’s locked up the rest of the time. But it’s good to look at. I’ve also found a story about a demigod who had all his toes cut off and therefore made sheaths for his feet which came off while fleeing from an army of monkeys. Take your pick really.

But Konpira is definitely the god of choice here for his contribution to the health and wellbeing of sailors and to the health and wellbeing of the local economy.

IMG_0038Konpira-san is the largest Shinto shrine on Shikoku and that’s the main reason for visiting the town of Kotohira. Its population is officially about 10,000, although I don’t know where you would put the city limits. On the flat side of the main drag it’s heavily populated semi-agricultural land which covers a considerable plain. (At left: peak hour at the covered market on the flat side. Below, some of the constant stream of school kids heading up to Konpira-san) On the steep side it’s tourism.IMG_0009

Konpira-san is finally reached via 1368 steps but Konpira Dai Gongen, a series of large shrines is reached at 785. Sutra: when you’re there do everything. So like Tour de France cyclists who go for rides in the mountains on their rest day, in the late afternoon we were enticed upwards because that’s what you do at Kotohira. Really the only thing we missed was Japan’s oldest kabuki theatre, the Kanamaruza.

About 100 steps up. Find me the city limits.IMG_0021Before moving on, I’d like to illustrate an option that you might like to consider while doing the walk. $90 for up and back to the halfway shrine. It was very hot this day. Murder. I shake my head. Japanese. IMG_0020But let’s plough on.

 

#2 Times of Blessed Trial

DSC01127Kobo Daishi is lurking under the trees in the car park where we are waiting for a taxi. The hills in the background are modest versions of what we were off to climb.

A taxi! Did you say taxi? I thought you were walkers … 

Mmm true, but we’re not observing the strict Shikoku 88. We are kugiri-uchi, doing bits. We’re skipping Temples 7-10 and we’re off to our first nansho temple, where o-henro korogashi, ‘pilgrims tumble’. Distance to be covered: 15km. Ascents: three, 1400m vertical gain. (500 is quite a good day.) Descents: three, 1100m downwards. Oku gives you the option of increasing the length of the walk by 6km. We thought, just this time, no. Hence the taxi which would take us to the car park of Number 11, Fujii-dera, the Temple of the Wisteria Well. 

There were two car parks at Araku-ji. We choose this one, the wrong one, but a hiccup of very modest proportions. We found ourselves being driven by a cheerful soul who completely understood the meaning and implications of the term ‘7/11’. We scoured the shelves for some food that said lunch and found what were to become our staples: apples and bananas, rice crackers and chocolate. Our purchase entitled us to go into a lucky dip from which I drew, dah dah, a pack of iced tea, which I was pleased to pass on to our driver. He was more than suitably appreciative. DSC01129

DSC01133I’ve seen bigger wisteria plants but this one was enormous and, in flower, has five colours. We had a look around and like anything built into the forest wall this temple had its charms. I rang the bell and murmured a request for good fortune, found the track opening and off went. Up up up.

It was quite civilised for a start. We began walking with a pilgrim, a fit 50 year-old and we were walking about the same pace. When I’m climbing so steeply I like just to be in my own head with no one else much around, so we let him go. But 15 minutes later ran into him again sitting on a rest bench puffing hard. We giggled at each other, shook our heads and ploughed on. After two km and close to an hour of walking — it was relentless — we found this most welcome spring.DSC01142Note the fall off to the left. We quite often found ourselves walking next to a sheer but quite heavily forested drop. The pad would be running round the lip of small plateaux. Splendid walking. We got to Choudoan Temple, not one of the 88, but the peak of the first climb and ate one of our volley ball-sized apples and some rice crackers, discovering that the packet was a quarter full of dried whitebait. Japan. It was hot, round 30C and fairly sticky. My clothes were wringing wet.

Okay, I thought, we’re about to ease off and go down for a while. I hope it’s a generous grade. But you don’t go down. No way. You enter this series of rolling pitches, short ups and downs, like interval training, designed to chew up anything you’ve got left, 2km of them, before a sort of hilariously steep descent to Ryusian Temple (not one of the 88 either). You can just see Myrna in this photo but, no more than 30 metres behind, I’m looking at the part in her hair.DSC01158One blogger writes: ‘Today is the first real test and the day some will ponder what they have got themselves into. The climb from Temple 11 to 12 is very hard work and you go up, then down, then back up over three mountain passes. At the end of the day you will be exhausted and have sore legs, feet, and shoulders. Some will have blisters. What’s more, you still have to walk part way back down to find lodgings. Many people are in tears at the end of this day.’

DSC01167In his account of the pilgrimage Paul Barach can’t believe this section of the pilgrimage either. ‘Since I was 13 I’ve been an athlete, lettering in four sports, bicycling century rides and running the Seattle marathon. So I’m confused when my legs buckle and the blurry ground rushes up to my face. … With long rests and short hikes I force myself up the switchbacks until I sprawl across the foot of a stone staircase. The benevolent iron visage of Kukai [Kobo Daishi’s original name] peers down at me. Behind him I’m sure I can hear a soda machine thrumming. I made it. … I catch my breath and charge to the top. Past Kukai is an empty clearing. No temple, no water faucet, no soda machine.’

DSC01165This is what he means. And he’s right. The second climb is shorter and not as difficult as the first. But when you get there, there’s no there there. It is where we met the delightful people in the opening photo of #1. They were at the top of this last staircase, the sting in the tail of this section.

But we could overplay all this. Yes, it is a climb, and yes it was a hot day. But there is an enormous amount of encouragement from bird life. One species in particular pushes itself to the limit to provide a song of joy, nearly conks out but then goes again, and then again. I took heart from its performance and cheered each time. One more … come on … push it out. The forest is shady and remarkably diverse, and you’re not climbing Everest. DSC01172

When you’ve got this far, you’ve almost certainly found a rhythm. And from here you are going down, not violently as previously but on a steady grade down through a cluster of farm houses to this delightful river crossing. If you haven’t felt immersed in beauty by this time there is something quite wrong. Anyway, the options of escape from this track are limited, so er … suck it up. Enjoy it. That’s the sutra.

DSC01139At right is what a lot of this part of the track looks like, fake logs made out concrete keeping the surface in shape. As well as forest left to its own devices, there was quite a lot of silviculture which provided views like this.DSC01155The last big climb was an effort. I remember we passed a group of six middle-aged women o-henro, and flopping at a rest area with some chocolate and resisting the temptation to finish off our water — not much else. There is no photographic evidence of anything till we get to Shosan-ji which itself provides 20 minutes worth of false dawns. You hit the DSC01173made road and think you’re there. Then the distance signage goes a bit weird. Another kilometre just drops in from thin air. It looks domestic when you get to the wonderful entree of a fenced path with scores of stone lanterns and start being entertained by a dozen or so huge bosatsu, but there’s still quite bit to go.DSC01174This is Fudo Myo-o, a figure central to Shingon Buddhism. Fudo converts anger into salvation. The purpose of his crazed expression is to to frighten people into accepting the teachings of Dainichi Buddha. He carries kurikara, the devil-subduing sword which represents wisdom cutting through ignorance, and holds a rope in his left hand to catch demons as well as to bind and focus thought. He is often seated or standing on rock because he is immovable in his faith. His aureole is typically inflamed, which according to this strain of Buddhist lore, represents the purification of the mind by the burning away of all material desires.The_Five_Wisdom_Kings His buddies are the five Wisdom Kings (at left) which (or who) share some of his characteristics.

This is a taste of the endless texture of Shingon Buddhism. No Buddhism is straightforward, but Shingon Buddhism’s precepts appeared to be buried in a vast mountain of imagery, ritual, story, myth and endless personages and personifications.

For example, Shosan-ji means Fire Mountain Temple. The dull version of its creation (around 700AD) credits En no Gyoza, an ascetic who founded Shugendo, the religion of mountain worship which interlaces with aspects of Shingon. A racier version has Kobo climbing to this point through the flames after battling with and defeating the dragon which had set the slopes alight. Got it? My point. A lifetime of study would barely be enough to become familiar with this version of the universe.

Whatever happened, whoever built this glorious temple in such an inaccessible spot … well, they did something remarkable. And not only did we get there, they had vending machines.DSC01177Non-pilgrim walker slumped drinking two cans of Suntory Boss Ice Coffee Blend in front of 60m cedars at Shosun-ji, after a fabulous walk. But then of course we had to get down.DSC01183It looked easy. We found bits of the road and were supposed to find short tracks to cut across the huge hairpins. Some we found and some we didn’t, ending up in a sort of shadow game with a young pilgrim both of us assuming the other knew where they were going. I was holding our map ostentatiously, but like all maps at this time of day we were about a kilometre behind where I thought we were. We stopped the shadow game, had a yarn, told him where we wanted to go and he zipped off at speed. (He hadn’t done the climb from Number 11.) In a few minutes he was waving and pointing. He’d found our minshuku (big b&b, small guest house). Arigato, my friend wherever you are. Arigato.

Although only by ten minutes, besides being smelly and tired we were late, a bad move where mountains and hosts are involved. You might have had a heart attack, gone over a cliff or more to the point ruined the timing of the delivery of the dinner courses. We’d been put in separate rooms which was corrected simply and easily. But the bathing arrangements were not quite intelligible. Men could use the women’s bathroom as long as they didn’t use the bath and didn’t go into the bathroom when women were actually in there. I think. Then in short order on entry I put my pack in the wrong place. I lurched on the verandah and stepped on the ground shod with indoor shoes. I trod on the tatami with slippers on. I pulled out the bedding and put it together the wrong way. I sat on the lacquered table and left a mark. (Hmm I don’t think I’ve told anyone that. Do NOT pass it on.) Making a cup of tea I pressed the wrong button on the Thermos and water squirted all over the matting. Bloody hell.

DSC01189I would do none of those things usually, and our hosts were extremely gracious and forgiving, cooking us a terrific meal. However two middle-aged, gimlet-eyed female guests were monitoring our every move to see what infamy we (Myrna was in this too. She washed her clothes in a hand basin and wanted to leave them to drip on the tatami!) would commit next, and the intake of breath when I staggered off the verandah in my indoor shoes was like the hissing of a snake.

You do sleep well after a lot of exercise, especially after a good big helping of anti-inflammatories, and there was no urgency in the morning. There were three possibilities from which we chose the ‘lots of temples but not the 3.5 hour walk to get to them’ option which meant finding a bus in Yorii 4km away at 9.59. Easy. It was a delightful stroll down the road next to the river in the cool of the morning and we got there an hour early. IMG_5378I watched the kids going to school and examined a remarkable sport-proof fence 15m high that surrounded the playing field with an ingenious system of stiffening by cables with zig-zag buttressing. And with the gracious assistance of a stonemason’s products, I studied up the day.

Our bus arrived on the dot and going the right way, two commendable and encouraging things. When our driver established that we were off to Ichinomiya Fudashomae, the temple stop, he made every effort to make our trip interesting and comforting by pointing out features and using every bit of English he had. It’s always such a pleasure when you see that light click on in someone’s eyes: Ooo something a bit different. I will rise to this occasion. I can make something of this. And he did.

At 7.25 the next morning at Tokushima Station, some distance from Yorii, we boarded the bus for Ikuna, and who was driving it? Our man.DSC01244This was the day of small miracles.

DSC01200We got off at Number 13 Dainichi-ji, The Temple of the Supreme Buddha Dainichi. It had lots to interest us and lots of 0-henro action for mid morning. Its accessibility on a main road may have been a factor, but it also has this rather striking statue of the bosatsu Kannon, the goddess of mercy, enclosed in prayerful hands. Several pilgrims took our photo; it must have been a slow day shutter-wise.
DSC01203Over the road was the Ichinomiya Jinja, a major Shinto shrine with big horses and a large stone construction which suggested Shinto’s animist roots. In addition in this photo you can almost see the entrance to the Ichinomiya Castle ruins, to the path up to them anyway.

Despite creaky legs and being bit post-Shosun-ji generally, Myrna thought we should go up and have a look. While you’re there you need to do everything. (Sutra) After nearly turning around half way up, we climbed steps up several hundred vertical metres to see this, and to enjoy a breeze which was undermining the impact of hard midday sun.DSC01206The track would take us through the those paddies, across the bridge, through the intersection of the two green hills in the mid ground and eventually to Tokushima in the far distance. Several temples were bedded in the back of the hill on the left. It all looks so easy.

We crossed the river and lo and behold there was a bank of vending machines. In Japan, this should come as no surprise. But a caffeine hit was exactly what was required. (Real pilgrims may well have sworn off caffeine, alcohol and all artificial stimulants for the course of the pilgrimage. You could say, they don’t know what they’re missing; but of course they do.) We drifted along the footpath on the main road and suddenly a car pulled up and the driver started gesticulating wildly. Despite the iced coffee we had no idea what she was talking about. Then she opened the door and made to usher us into her car. She was looking after us. We’d missed a turn off the path 50m back and as far as we could work out, later, she wanted to drive us to the temple. I’m calling that (very) small miracle number two. I checked the map and we backtracked onto one of those wandering back lane/ back yard/ paddyfield walks that I enjoy so much.DSC01213

This dekotora (decorated truck: go and have a look) was just one of the many points of interest. The house it was parked near had a Japanese garden with the lot: lantern, rock, bamboo, okarikomi-trimmed bushes, colour variation, water feature, maneki-neko (welcoming lucky cat), religious figurine — in a very small space. It looked even better in the flesh than it does in the photo. Subarashīdesu!

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DSC01216We were welcomed by another sort of cat at Joraku-ji, The Temple of Eternal Peace. Awa Kokubun-ji, Awa State Provincial Temple had been built as a result of an edict in 741. The current building (at right) DSC01225is on or near archaeological remains of the original and just as the guide book says, it exudes age and atmosphere.

Kannon-ji, The Temple of Kannon the deity of mercy and compassion, might be the temple I remember least well, although I do remember this statue. DSC01228A great deal of the imagery and statuary we saw was concerned with the protection of the health and welfare of children. Placing a bib on the infant is a worshipful act reflecting a specific or general request for care or intervention.

The other reason I remember it is the third small miracle. A 70 year-old pilgrim 16 temples into his second full pilgrimage had been staying with us at our minshuku. He had left at 6.30 and walked many more kilometres than we had but we had caught each other up and found that our walking pace was close to identical. The beat of his stick on the pavement was unvarying, metronomic, providing an irresistible discipline. He knew the way and although he spoke no English for an hour or so we became cheery companions of the road.DSC01230DSC01231

 

Here he is at Ido-ji, a magnificent suite of buildings and artefacts, directing us to the bus stop we need to get to our accommodation at Tokushima.DSC01235 Ido-ji means ‘The Water Well Temple’ and we were hustled into the well enclosure (above, but look at those azaleas) by an elderly woman (at left) to see if we could find our reflections. Yes and things were fine; no, and you would be subject to an accident in the not too distant future. DSC01243
I couldn’t see mine as it happened and when we were sitting at the bus stop wondering from which direction we might expect it … well, it was four minutes late and there wasn’t going to be another one for an hour regardless of the direction. An ageing woman cycled up and assured me the bus had gone. We consulted the schedule on the lamp post together and I thought not. But as the actual bus per se trundled up the alley she was still insistent. In a cosmic sense of course she was right. All buses have gone, except those which are still to come. Zen.

Twenty minutes to Tokushima Station. It should be straightforward but we collectively still had a degree of watchful unease. New place. We had no idea if it was bigger or smaller than Geelong. And was the station the terminus? Probably was. If so we could just lie back and forget about it. Enjoy the scenery. But what if it wasn’t? Twenty minutes passed. 300 had clicked over on the fare grid a while ago. We were several minutes past due arrival time. I place these facts before you now for reasons of exculpation. Then I saw a big sign saying Eki, ‘station’. I asked the driver if this was the case. He agreed that this was indeed the case, even if his expression suggested otherwise. I pressed the stop button and he let us off.

We walked the 500 or so metres to Sako Eki and it was pretty smartly apparent we were in the wrong place. I’ve just now counted 13 eki in Tokushima City and we weren’t at the one we were looking for. Close, but no banana. We discussed this matter with the woman at the ticket office, showed her the relevant section of our detailed itinerary, ‘the white book’, and she sold us tickets for the next train to take us to our intended destination. We weren’t fully relaxed but the matter appeared resolved. A train came quickly and we were eating an excellent softu crema from a Willie Winkie Baked Cake Shop when I asked Myrna for the white book to check how to get to our ryokan. She thought I had it etc etc and no one had it, and we were ruined, damaged, defeated, wiped out, in shreds — anything to avoid saying rooted. At least I knew where it was. I could see it sitting right there on the ticket counter at Sako. Raced to the ticket machine, all in kanji — I might as well have been sticking a finger in my eye for all the good that was. But of course one of the virtues of JR is that its stations are quite heavily personned with persons who want to be helpful. A rather cross guy pressed the button that turned it all into English and squeezed ¥320 out of us for two tickets back to Sako.

It was the post school special and the two-carriage train was full of school kids. For some reason it wasn’t going. I think they were adding a carriage. Suddenly there was a disturbance in the crowd. Two young JR officers, girls, were running through the crowd on the platform and began gesturing at us. ‘Passoporto’ I thought they were saying. Bloody hell. What now? Come on. We have issues to resolve. But it wasn’t ‘Passoporto’. It was ‘Pasmo’. I’d tucked my Pasmo card in the back of the itinerary to use when we got back to Honshu. They had the white book and all its contents and it was being sent to Tokushima on the next train which was already nearly there. Three minutes later we were presented with the lot in a sealed envelope (except strangely enough for the Pasmo card which didn’t bother me one bit). The ¥320 for our tickets to Sako (4 bucks Australian) were refunded. 

Apart from weeping with gratitude, several things occur to me. That we were found so readily in busy Tokushima Eki (Geelong x2, with a lot more involvement in train travel) indicated just how many non-Japanese were around. We didn’t see any for five days. Anywhere. Second, how smart was that ticket lady at Sako? Not just polite and helpful but quick, efficient and effective. Third, a big call, but nowhere else in the world would this happen. There are a lot of reasons to really love Japan.

From there it was a very straightforward walk to our accommodation, not five minutes away. We were welcomed by a superstar of the hospitality industry who that night fed us, among endless other things, Tokushima noodles with conger eel. But there was so much more.DSC01308

#1 Finding the Entrance

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O-henro (honourable pilgrims) in front of a statue of Kobo Daishi with Ipponsugi, a named and noteworthy cedar, at the highest point of the climb on the second day. Kobo looms as you climb the last stretch, a long and steep flight of steps. Gambatte, do your best … In this case I think we already had. 

As we got on the bus at the remarkable shrine to train travel that is Kyoto Station I began thinking again about a question that had been vexing me.b03202en_map01

The Shikoku 88 is one of the world’s great pilgrimages, perhaps only to be matched in general terms with the Camino de Santiago which begins, well wherever, Poland for example, but in most versions walking across the top of Spain to finish in Santiago de Compostela. From Roncesvalles to Santiago is 750km. The complete distance of the Shikoku route, visiting all 88 temples circumnavigating the island and arriving back at Temple 1, is somewhere between 1200 and 1600km, two or three months walking. A quarter of a million people walk the Camino annually. About the same number complete Shikoku 88 but mainly by using transport other than feet. Busloads of 0-henro lining up to get their nokyo-cho stamped were a regular sight.

And that’s the point. ‘Remember this is a religious journey, not a stamp relay or a back-packing route.’ That advice recurs. I’d read and screwed my nose up a bit at an account by a young American who treated it as an ultra marathon finishing the lot in 27 days. That seemed like wolfing a gourmet meal while reading a comic. But we were only doing small bits — by my reckoning in ten days we walked about 140km — and I knew little about Buddhism and nothing about the practice of Japanese Shingon Buddhism or the mass of stories with which it is embroidered. Although from time-to-time I offered some very half-hearted prayers, we weren’t seeking healing, favours or nirvana. On a practical level I wanted to be respectful but hadn’t done any research about what might be appropriate behaviour in visiting temples. That might strike you as remiss and in retrospect it was.

We could have kitted out at Temple 1, Vulture Mountain Temple. It was all there: oizura (white cloak or vest), sugekasa (conical hat), kongo-zue (staff with decorations and bells), juzu (prayer beads), zuda-bukuro (a small satchel to keep all your pilgrim stuff in), o-samefuda (name slips), senko (incense sticks, which I investigated but didn’t really know what I was looking at) and a nokyo-cho (below, a stamp book to collect the often very beautiful insignia of each temple).nokyocho I thought about it. Even as souvenirs, but of what? Wouldn’t it just be a version of fancy dress? Most unsuitable for what the vast majority of pilgrims treat as a most serious undertaking. As it happens I was so discombobulated I didn’t even buy a guide book which, despite having our inch-thick wad of paper from Oku to protect us, would have been a good idea. One dominant thought was that anything we didn’t eat we’d have to carry.

So if not pilgrims what? Not quite tourists. We were going both too purposefully and too slowly to be proper tourists. Too purposefully … what was the purpose? The purpose was to enjoy a series of walks on this famous route: and that means, scenery, exercise, varieties of food and accommodation, but also learning what you can from the experience along the way. And if you want an insight into a part of Japan not much visited by non-Japanese this was an exceptionally fine way to do it.

Walkers then. Even if Myrna did wear her white shirt, and even if I did get John Bunyan’s ‘Who would true valour see, let him come hither‘ jammed in my brain, we were walkers. But walkers in the warm clasp of a particular backdrop. On the very first night we stayed in temple lodgings and were vigorously encouraged to participate in a Buddhist service. Not actually no attendance, no food; but vigorously. Big, muscular, fit, this monk didn’t speak much English, and no one else spoke any. Shikoku is not downtown Tokyo with multi-lingual signs and plenty of people wanting to try their English skills out on you. There is very little romanised signage except for JR, Japanese rail, bless them, and major road signs and the strange bits of English you get on shops. What I mean is ‘徳島市’ rather than ‘Tokushima City’.

We were at least partly in the Oku bubble. Oku (‘inner part’ in the sense of things you wouldn’t see normally and hence to some degree ‘outside’) is a travel company which, among other things, offers a number of self-guided walks in Japan. We had been very pleased with their design and support of our walk along the Nakasendo Trail, so when they offered this set of walks we were interested. When the offer corresponded with some cheap airfares to Japan we became more interested. When Myrna made a rather remarkable recovery from a hip replacement we thought we’d do it.

Oku plans the route, books accommodation, provides endlessly detailed track notes and guidance and off you go. It does its work so effectively and conscientiously that you can live by ‘the white book’ — the itinerary which regulated our lives so protectively outside the walk, enabling us to do what we did. We moved our luggage twice by Takkyubin, the amazingly efficient Black Cat couriers, but during the second half of the walk I was only carrying a slicker, an iPad, passports, money, lunch and just as it happens a hardback copy of The Teachings of Buddha.

Ten days seemed about right. Retrospectively the five days on the Nakasendo had been too short. For most favourable results visiting all 88 temples in leap years you are meant to go gyaka-uchi, backwards, anti-clockwise, but in some disorder we went from 1-3, then 6, 11&12, 13-17, 20&21, 82-80, 56-58, 59&51, 45,44, 60-62, lurching from Tokushima, the region of spiritual awakening (in terms of the pilgrimage), to Kagawa the region of nirvana, and then to Ehime the region of enlightenment, missing out Kochi the region of training in asceticism. final-88_ProfileIf you look at this set of elevations you’ll be able to see where we spent most of our time just by noting the lumpy bits. We didn’t miss the training in asceticism entirely. The walk contains nine nansho temples, ‘difficult to reach’, sometimes ‘dangerous’, ‘rough place’ or even ‘chokepoint’, where o-henro korogashi, ‘pilgrims tumble’. We got to a number of those.

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[Note to self. Avoid photos in hat, however protective, and baggy shorts. An elderly bikie took this photo.]

But we’d got on the right bus in Kyoto, crossed the longest suspension bridge(s) in the world628 which connect Honshu, an intermediate island called Awaji, and Shikoku, and got off where we were told to, Naruto Nishi bus stop, and sort of looked around. That first moment … I don’t care who you are, you’re just not with it.

DSC01067We found the stone steps as required and shot up them, well past the metal gate (as specified) which would take us through the German Forest, a war memorial that you mightn’t have imagined being there. A couple of turns to find a main road and walk along it for 420m. (Don’t you enjoy that degree of specificity. In Tokyo we found signs that offered Ueno Station as being 675m. away. Ueno Station is the best part of a kilometre long and has a dozen entrances. Where do you measure from? But that’s not the issue here.) Far more to the point, how hard can this process be? Yeah, well … we could really have been anywhere.

Over the paddies and rooftops I caught sight of a golden cupola confirming our direction and we arrived, as noted, somewhat discombobulated, at Temple Number One, Vulture Mountain Temple, with the availability of softu crema with the big white swirl an important augury. Many temples have vending machines and I can’t tell you how grateful we were for this. Feeling somewhat cut adrift, we collected ourselves over a bowl of noodles.DSC01072We set about what we could do, and although it is not always the best advice, in some circumstances it can be quite helpful to just get walking. Almost immediately we started DSC01160noticing the little red and white pilgrims which so helpfully marked the way. Motion; and this track of course was easy. If you couldn’t get from Temple One to Temples Two and Three you simply wouldn’t be trying.

Although I didn’t realise it, we were walking around the northern suburbs of Tokushima City, the biggest city on Shikoku with a population about twice that of this blog’s yardstick, Geelong. Note the banks of azaleas. A week or two off full glory. This kid said ‘konnichiwa’ and gave us a slight bow as he rode past. DSC01092When we were uncertain a head would bob up from behind a fence and point, gesticulate and wave us along. We stopped to look at an orchard where all the fruit had been encased in bags to grow blemish-free. A passer-by stopped to discuss this with us in an enthusiastic and emphatic fashion.

We arrived at Number Two Gokuraku-ji, Celestial Temple, and as we bowed at the sanmon gate I suddenly thought, this is going to be Christmas. This is going to be better than I could have imagined. DSC01098 (2)As so often, the temple complex was embedded in a very pleasant garden full of enticing mysteries. I never unravelled most of these, but you could begin developing your own constructions of it all. DSC01097For example, at left are bussokuseki, forms of very ancient Buddhist icons from a period when icons of the Buddha were forbidden. (‘Thou shalt have no graven images.’ There is obviously an urge to make the ineffable visible and concrete which has a huge impact on the practice of any religion. Humans are easily distractible.)

The bussokuseki contain the circular wheel of life fundamental to Buddhist thought and swastikas on some of the toes representative of well-being. (Left-facing rather than right-facing as used by the Nazis.) A lotus is probably there somewhere. The fish suggest, to me, fecundity or productivity. A principal tenet of progression towards Buddhist enlightenment is ‘Knowing and seeing what is the path and not the path’, followed by ‘knowing and seeing the way’. Feet, pilgrimage, walking. These symbols talk regardless of language.

DSC01100That day I thought the bussokuseki might be connected directly with Kobo Daishi (below) and the pilgrimage and constructed a little story for myself about it. He is supposed to have planted this massive and somewhat decrepit cedar in the grounds of this complex which would make it at least 1181 years old. Its provenance wasn’t so important to me, but for ten days Kobo Daishi was a constant presence. He’s the guy.

220px-Kukai2Born in 774AD a kilometre from the temple where we stayed on this first night, he is the founder of Shingon (True Word) Buddhism. His own enlightenment seems to have been derived, initially at least, from long periods spent in isolated mountain retreats chanting sutras. An exceptional student, he gained the trust of his Emperor and was included in a state mission to China, Xi’an in fact which is a long way from Tokushima City. The story goes that he completed a prodigious feat of learning there, memorising in 3 months what usually took 30 years, and came back to Japan to spread Esoteric Buddhism. Esoteric: abstruse, obscure, arcane, rarefied, recondite, abstract, difficult, perplexing, enigmatic, inscrutable. Why would you be spreading this? What sort of rod have you made for your own back? Other perspectives suggest that Shingon introduced or enhanced ritual (especially the use of mantras) in a religion that had focused on good works and personal action.

When we arrived in Japan I was reading an absorbing study of Eastern Orthodox Christianity, ‘Why Angels Fall’, by British journalist Victoria Clark. She notes the way that these churches accommodate, even drive, the two extremes of relationships between church and state: phyletism, the absolute combination of church and state of which Serbia provides an outstanding contemporary example; and hesychasm, the doctrine of inner silence, whose adherents isolate themselves from society as far as possible. Buddhism is as subject to these avenues of behaviour as any other religion.

How do you get your word across? When Kobo returned to Japan the Emperor who had provided him with patronage had died and the new ruler was more inclined towards Tendai Buddhism founded by a contemporary of Kobo’s, Saicho. I quote here from the guidebook: After repeated requests from the senior monk, Kobo Daishi taught Saicho the first two initiations in Esoteric Buddhism, but not the third and final initiation required to qualify as a master of the religion. From this, bitter rivalry ensued between the two men. When Saicho demanded to be taught the final lesson, Kobo Daishi responded, ‘You cannot learn Esoteric Buddhism from books. Understanding must come from within.’ 

In 810 he made himself useful to the new Emperor by carrying out certain esoteric rituals which were said to ‘enable a king to vanquish the seven calamities, to maintain the four seasons in harmony, to protect the nation and family, and to give comfort to himself and others’. It was from this point he proved his gifts as an administrator and organiser establishing a headquarters on Mt Koya south of Osaka where there are still more than 100 Shingon temples. Just prior to his death in 835AD Shingon ritual became incorporated into the official court calendar of events, and just two months before his death, Kobo Daishi was granted permission to annually ordain three Shingon monks, ordination being a process strictly controlled by the state. Koya-san went from being a private institution to a state-sponsored one.

If they want to be successful (and what is a successful religion? Number of adherents? Their relative fervour? Wealth? Certainty of redemption?) religions are left with no alternative but to hook up with some very earthly practices. Four of the 88 temples are Kokubun-ji ‘Official State Temples’, built at the behest of Emperor Shomu, a devout adherent of Buddhism; and despite the privacy at the core of Buddhism, the pilgrimage’s tracks were not built by wear from hesychasts’ rope sandals.

It is not the fact of these anomalies of logic or consistency of perspective that is interesting — they are entirely to be anticipated. It’s the way they play out in different settings.

But the walk, the walk.

Where does one look for guidance?DSC01102 These finger boards were one source of information. The symbols on the stem tell us we’re on the route — note the top one — and the kanji on the horizontal are the names of the temples. After a while and given our eccentric route, to generate another source of confidence we decided we would learn the first two characters of the temples we were heading for. Here we’re between Numbers Two and Three, Konsen-ji, the Golden Fountain Temple, where we arrived at the side gate on a track between paddy fields.DSC01103

Konsen-ji was another remarkable affair. I’m struggling for the right adjective. Complex, interesting, picturesque, potent, beautiful — all those.

DSC01106 (1)About a kilometre away was our bus stop. It had been quite hot, about 25C, and humid and there was a shop right there at the stop, so I tried my hand at getting some drinks. I chose two from the cabinet and had a handful of cash, but the shop lady waved me away. What had I done? Were these not for sale? Didn’t I have enough money? But she was smiling and mimed drinking them. A light went on. This was our first experience of ossetai, the practice of giving pilgrims drinks, food, money, souvenirs, free medical treatment, a lift, to help them on their way. In return I should have provided an o-samefuda, a name slip, but I was a long way from having a grip on anything like that. I just thought what a sweetheart, my primary concern being that we were on the right side of the road, because I was only guessing the direction the bus would take us in.

When you’re linguistically disabled you reach for as many cues as possible. For example you need to know that local buses in Japan operate on a system whereby you take a numbered ticket on entry and watch an electronic grid above the driver to see how much you need to pay. ‘160’ (yen) in box 6 it’ll go, then ‘210’, then ‘260’; in one mighty case ‘1790’. And you will tip exactly that amount into the fare collection box as you exit. If you know how much the trip will cost, you’ll have a rough idea when to get off. That’s one cue. Then of course you can ask, and alert, the driver when you get on: ‘Sumimasen. Higashihara?’ ‘Hai. Hai.’ ‘Arigato.’ You think that would be enough, but you diligently watch the fare screen knowing that you need to pay ¥330. Then the recorded woman’s voice of which you get almightily sick says ‘Higashihara. Higashihara. blah blah blah Highashihara.’ You’d think that would do it wouldn’t you? That would be enough. And there is a bus stop there. And the driver is making gestures. So you get off. You’re there.DSC01114But where exactly? You are in the middle of a series of paddy fields after a long day and there appears little option but to place your fate in the hands of the almighty. However, the only other guy on the bus got off with us and while he hadn’t gone the full o-henro I guessed our destinations were the same. And that he knew the way. So we chased him down the road.

Over that bit of a bridge above was our destination, Anraku-ji, Number Six, The Temple of Tranquility, and the customary first stop for walking pilgrims as it has shukubo, pilgrims’ lodgings (and mineral baths, and a pine tree which protected the meditating Kobo from the arrows of huntsmen who mistook him for a wild boar, and amazing decoration on the ceilings of the Hondo, etc etc.). We stopped for a softu crema at the temple shop. I think grape and persimmon flavours. I might have that wrong, but they were the best we had anywhere. We gathered strength and wandered round to meet the muscular monk and our accommodation. Dinner at 6.00. Meditation at 7.00. Quiet after 9.00. Breakfast 6.30. Bath here. Room there.DSC01125

Dinner was the first of 8.4 out of 9 excellent evening meals. (There were four six-star efforts among them. Extraordinarily excellent food.) We went to our assigned seats. If you work out, and follow, the (very many, so very many) systems in Japan, everything will be just fine. Our assignation was with dining companions who spoke English. How thoughtful. And Roy and Yolande, who tomorrow will be sending Le Tour off from Saumur with a heap of friends, turned out to be wonderfully interesting people making their own intrepid investigation of Shikoku. I did ask why they chose to stay in shukubo and I’m not sure if I got their answer. I think the siren call of adventure.

I was clapped out after dinner but, seamlessly, another young monk turned up to get us prepared to head straight off to whatever the correct term for a Buddhist service is. We each had bits of paper and slivers of wood to write on. One requirement was for your birth date, another was for wishes you wanted delivered. I didn’t quite have a grip on what was happening, but while you’re there you need to do it all.

We headed off into the temple with the 40 or so others who presumably were staying there. They had been at dinner. There were bells and shakers to summon the attention of the deities (deities? Can you say deities? This worries me), some chanting by the monk and then some collective chanting. This was followed by an occasional address in which the word or sound ‘nay’ was constantly repeated. If it was a Christian service I thought it might have meant ‘sin’ or ‘faith’ or ‘good works’, but on further investigation we found that it was a filler like ‘yeah’ or ‘and so on’ or even ‘like’. We were led further into the temple, a rather stunning experience because this was where all the treasures were. We lit incense sticks, stuck our o-samefuda on an image, set fire to our wooden slats (a goma ceremony as I now know) and circumambulated the temple’s magnificent honzon three times. I went to bed on the floor wondering if I’d done anything correctly. There would have been a system and I didn’t know it.

A honzon is the effigy or image of a temple’s primary what? God, deity, or do we say Buddha (except Buddha was someone else), or bodhisattva (and in Japan anyway bosatsu) perhaps? 

yakushi 1 resized_150107034514Q. on the internet: ‘Do Buddhists Worship Idols? A. Buddhists sometimes pay respect to images of the Buddha, not in worship, nor to ask for favours. A statue of the Buddha with hands rested gently in its lap and a compassionate smile reminds us to strive to develop peace and love within ourselves. Bowing to the statue is an expression of gratitude for the teaching.’

Mmmm well … the honzon of this temple is Yakushi Nyorai who/which has a particular interest in ensuring your good health. (One image of Yakushi Nyorai is at left. The one we saw was several metres high and deeply invested in shiny gold leaf.) I’m sure we were engaged in something worshipful and I think quite a few favours were being asked — and I suspect that is a major reason for many pilgrimages — but of whom or what? 

My reading suggests that in some forms at least Buddhism has much in common with contemporary physics. The idea of multi-universes is taken as given. Human beings are viewed not so much as consistent individual physical entities as collections of constantly changing bundles of energy influenced by karma (the choices being made and the conditions in which that energy is operating). The film ‘The Matrix’ is occasionally offered as providing insight into the nature of the Buddhist universe. The task of improvement includes freeing yourself from the anchorage of the senses and the bondage of egotism. Buddha was not a god. He was a man who found a/ the path to enlightenment which begins with the realisation and acknowledgement that life entails suffering. We don’t worship images or even seek comfort from them. Self improvement is an intensely private journey driven by personal responsibility.

But what did I say above? It is not the fact of these anomalies that is interesting — they are entirely to be anticipated. It’s the way they play out in different settings.

As my journal from that night says: ‘It’s a rich life. Very tired and just ever so slightly freaked out.’ But let’s move on. That’s only one day. A great deal lies ahead, some of it very steep. (Below: A Yakushi Nyorai mandala.)

4a2eed23c8626ffb848d083703013fc1

 

Naoshima, Goro and Gundam

IMG_0469Meiji dori, Harajuku on a drizzly morning. It is, of course, a queue. But you can’t see either the end or the beginning of it. The end is 100 metres along from what is visible. The beginning turns a corner and runs another 100 metres and stops here, at a shop in Omote Sando with no signage. This may be incidental, but Omote Sando contains the most expensive real estate in Tokyo which is to say Japan which could be to say the world.IMG_0470Every day except Wednesday when the shop doesn’t open it is the same, and this has been the case for six years.

We know this because after getting tantalising but not quite intelligible responses from a member of the queue (who was just about to turn into Omote Sando and was distracted and very anxious about his prospects of getting into the shop) we accosted a statuesque young woman with a clipboard and a pen, the buffer from which the queue emanated. ‘What’s happening?’ I said. ‘It’s me dad’s shop’, she said in an accent that could easily have been Australian. ‘It’s like this every day.’ When I asked her where her accent came from, she said all over the place.

She was issuing wrist bands which allowed you to get in, but not to everyone, because Goro’s chooses its customers. Goro Takahashi makes the silver jewellery that you can see on many of the people in the queue (if you are using a computer and you click on the photo). It’s a lottery to get in, and then only four at a time. No one new comes in till all four leave. After you’ve made your choice, even then the staff might not sell you the piece you’ve chosen because you haven’t got Goro style. They will make that decision. Our first contact had a Goro necklace and wrist band but wasn’t sure that that would be enough to make the cut even if he got in.

Six years. Every day but Wednesday. You need to be there no later than 8 in the morning for a good chance. They open at 1.00. You mightn’t get to the front of the queue. You mightn’t be allowed in. You mightn’t be allowed to buy. Still they queue. 

imagesThis is Goro. His background is misty but he certainly spent some time in America with a group of Navaho. Native American is the defining influence of his product. Social media thinks he may be dead and may not really be producing the silverware being sold. His story is embellished in print. a0283003_15173527

This is the sort of thing he makes.2013-08-15_1376585394

If you want that, queue up.

This is Gundam.IMG_0415

I wanted to decrease the size of this photo, but it would be wrong. He’s big. Enormous really. On show here at Diver City Tokyo Plaza on the reclaimed land at Odaiba.

How big is Gundam? Huge. The International Gundam Society is the first ever academic institution based on an animated TV series. Gundam figures make up four of the top five anime models sold in Japan. So? Gundam earns its source, Gunpla (Gundam Plastic Model Company), around ¥20billion annually. That would be AUD235million or USD200million. Gunpla has 90 percent of the Japanese plastic model market.

What is he? It? A ‘mobile suit’, a large bipedal humanoid-shaped vehicle controlled by a human from what might be called the cockpit or, if you prefer, the codpiece. It began life as ‘Freedom Fighter Gunboy’ which became ‘Gunboy’ then ‘Gundom’ (from Gunboy Freedom) and then ‘Gundam’ to suggest a unit with a gun big enough to hold back powerful enemies like a dam holds back water.

And why is he needed? The Minovsky particle pervasive in Universal Century interferes with radar-guided long-distance cruise missiles, anti-aircraft guns, missiles and early warning systems, with weapons systems having to rely on human eyes. The space-based Principality of Zeon rebels against Earth Federation, requiring a weapons system that can function in zero and normal gravity and be able to open and close air locks, plant demolition charges, and engage with enemy tanks and planes. Obviously.

In 2015 a clip showing that the Japan Self-Defence Forces were already equipped with several Gundam was included in a report on Japan’s military capabilities aired on China Central Television. Chinese social media responded to this news by saying with Gundam ranged against it China will certainly lose any armed conflict. The clip was actually from an ad for Nissin Cup Noodles.

•••

We’re talking about marketing here. It should never cease to fascinate us because it keeps burrowing into the heart of human motivation. Further and further. The pay-offs, commercial and otherwise, can be enormous. What is Goro’s playing at? Participation in the creation of scarcity and exclusion. Be part of our tiny gang. You pay quite heavily, and only in cash, for the privilege. To follow a theme, join our gated community.

The strategy with Gundam might be the antithesis. Find your market: boys. What are they interested in? Robots. War. Spread your media as widely as possible. Games, toys, movies, TV series, media appearances. Build a constituency beyond boys. Make the ‘creature’ possibly loveable. Make it important. Make it save your world. Enlist it for your armed struggle in the real world.

La Forêt is a shop of shops within a couple of hundred metres of Goro’s. It opens a very large window onto the heart of Japanese women’s clothing soul. I was absorbed. If you’re under 40, you can buy clothes like these.IMG_0472

But on this rack are clothes that 75 percent of Japanese women would be happy to wear.IMG_0479 They are readily accessible, reasonably priced and no one will stop you buying them.

So here is another strategy which describes perfectly the continuum between fashion leadership — the out there stuff, the exclusives, the Comme des Garcons and Vivien Westwoods — and another form of commerce, where you let popular opinion and choices drive your activity. Who cares if it’s rubbish — and the clothes above are not rubbish — as long as it sells?

Right here we have run into a fundamental issue, so fundamental it guides all public choices. Democracy or benevolent dictatorship for example? Should we care about scientific investigation or just go with what we think? I recently read a long article in a thoughtful leftist publication praising Lee Kwan Yew and his contribution to Singapore to the skies. He was not a democrat. But let’s move to something more local to our interests here.

••••

After we finished our walk we caught the ferry for Naoshima, one of the countless islands in the Inland Sea, distinguished by massive investment to draw tourists to its art exhibitions.

If you Google Naoshima you are bound to get an image of one of Yayoi Kasuma’s pumpkins. (That link is definitely worth a look a propos of what follows.) But Naoshima has several identities. Conceptually and practically, its 14 square kilometres are divided into three: Mitsubishi smelter and materials processing plant takes up the north; the middle slice is where the locals live; the south is mostly the Benesse Art Site, although there is a nice little set of holiday villas on the beach the other side of security.

It also has a history. Like many of the Inland Sea islands it has/had an ageing population once sustained by a fishing industry that has now relocated. The Benesse Corporation whose fortunes are built on educational testing and text book publishing provided the seed money for some significant buildings designed by Japanese architectural giant Tadao Ando. One of these houses some of the private collection of Tetsuhiko Fukutake, the founder and chair of that company, who wanted ‘to provide a place where children from all over the world could gather’. The initiative was also strongly supported by Chikatsugu Miyake, then mayor of Naoshima, who seems to be a person of great vision and long-sightedness.

The goals: ‘Our fundamental aim is to create significant spaces by bringing contemporary art and architecture in resonance with the pristine nature of the Seto Inland Sea, a landscape with a rich cultural and historical fabric. 
‘Through contacts with art and nature, sceneries and inhabitants of the Seto Inland Sea region, we seek to inspire visitors to reflect on the meaning of Benesse’s motto – Well-Being.
‘In all our ongoing activities, we are committed to foster a relationship of mutual growth between art and the region, aiming to make a positive contribution to the local communities.’ You’d be pretty mean to argue with that, wouldn’t you!

And this was the view from our room, looking over to Shikoku as it happens.IMG_0118You would be a curmudgeon to complain wouldn’t you. Well I’m torn about this but here I go.

We paid approximately a zillion dollars to stay at Benesse House. The meal, a very good meal and we didn’t stint, in very nice surroundings with attentively brisk service, consumed one-eighth of what we took to spend in Japan in 30 days. That sort of zillion. The men at the front desk were grumpy and helpful in a ‘here you are you idiot’ sort of way. We left early after our second night, having to catch the ferry before breakfast was accessible. We’d paid about $110 for breakfast. No refund. Not a hint of a refund. The women were far more pleasant.


IMG_0264But the art. That’s what we were there for.

There are three sites in the Benesse area. We walked to the Lee Ufan Museum (2010), a Tadao Ando concrete bunker built into the side of a hill with a sheet of slightly bent steel, two rocks, one room each, one with projections, six paintings of a type and a room where we were invited to take our shoes off and meditate and read about the artist. IMG_0269I listened to the girl, one of the several, underground, tell us that and thought she’s had to say that three hundred times today and that’s her only job. That suggests I didn’t have my mind on the job. I also thought how did they get that rock in here? They must have built around it. And that’s when I thought the art here is embalmed in concrete 40cms thick. You can’t change it. Lee Ufan Museum is only going to be changed by a calamity of immense proportions.

We moved on to ‘Ando’s masterpiece’, Chichu Art Museum (2004), which as its name suggests is built in its entirety into the top of a hill with a series of basic geometric shapes the only evidence of its existence.
chichu_topThree artists — James Turrell, Walter de Maria and Claude Monet. Ten things to look at. Expensive. Built in. No change since 2004 except perhaps for dusting. I watched Turrell’s sky for a while but refused to take my shoes off to walk into his Blue Room. De Maria’s offering was a (very) big shiny ball of marble in a big room attended by variations on the theme of cricket stumps. And then the Monets. Well. I had to take my shoes off again to worship at the altar of someone I believe to cling to the lower rungs of Impressionism. I won’t go on about this but I have seen the waterlilies MOMA in New York holds (a solid 6/10), and I’ve seen the Rouen Cathedral series in the Musée d’Orsay (a confident and exhilarating 7.9/10) but Christ knows what I was looking at here.IMG_0272

There seems to be a general and very good rule that you aren’t allowed to take photos in Japanese art galleries, (waived at the artist’s request by Yasumasa Morimura in Osaka) so you are looking at the consequences of an illegal act. It can only hint at the carelessness and lack of artifice of the big painting which was surrounded by sketches someone had got out of the dumpster after Monet had left for work (1.2/10).

Here are the toilets. (Stainless steel!)IMG_0275

Here’s the corridor of the gallery.IMG_0276

Here’s the corridor of our Ando-designed hotel.IMG_0285

Barracks, bunker, gaol. And, for someone so passionate about the environment, inorganic to the point of being well into the spectrum. But very clean.

The Benesse Museum itself was much more fun. Lots of good things to look at. But reading through reviews of Naoshima I realise there had been only two or three changes in what was on display in the last ten years. They’re looking after the hotel and the shuttered concrete (someone said they were thrilled with the dots, well… try any building site), but no one is looking after the art. I couldn’t help comparing it with the Hakone sculpture park which had been so overwhelmingly, thrillingly impressive. 

Ando is famous for his slits, his framing of nature and environmental surrounds, and yes for sure, extremely clever and interesting. This one was on everybody’s way to eat, framing a moss garden complemented most successfully with a long thin vertical sculpture.IMG_5861

The suspended member would weigh 45 tonnes. (A wild guess, but it’s about 15m x 2.4m x 0.5m. Ha! If it is it weighs 43.2 tonnes!) The junction is cracking. Art criticism at its finest.IMG_0305

We visited the two towns Honmura and Miyanoura to find more art as promised. Paid a lot to see exceptionally little. Turrell’s dark room, ‘The Backside of the Moon’, gets pumped up, but truly really it’s a one trick pony with the best thing about it being its name.

What else are you supposed to love? The environment. If you’d spent the last few days in Tokyo or Kyoto you might appreciate the big slice of low level greenery you get, set into the gorgeous backdrop of the Inland Sea. You might like the car-lessness of the tourist’s version of the island. Its very narrow streets might be deemed charming and picturesque. But we’d been walking in monumental forest studded with azaleas, camellias and rhododendrons, with views to the edge of the world. We had seen not one of Kasuma’s pumpkins but scores, and better. So maybe that’s the problem. Sorry.

The project for the Island(s)? Terrific idea. I’m glad we spent money there and offered our oblique support. And I bet there’s times like the Setouchi Triennial where the whole island lights up like Port Fairy at Folky-time (and nothing lights up quite like that) and there is art galore — new art, mobile art, art that isn’t locked up inside concrete boxes.

••••

Let’s go back. Marketing. We heard about Naoshima, from five or six years ago, through friends and relations who had been there and loved it. We felt we had to go given the opportunity. I had a crisis with the booking and thought we had missed out. That upset me greatly. Where had my expectations come from? Marketing.

I read six or eight reviews before we went. Trip Advisor, Japan Travel, American newspapers, blogs. Sober affairs. I’m always interested to see just what it is people like about a place. They like being out of Tokyo. Naoshima is sort of quaint and unquestionably worthy. [Digression: we ate at a very good izakaya in Matsumoto. It came in very high on Trip Advisor ratings and delivered every single thing promised — friendly service, picture menu, very satisfactory food — and a clientele of people entirely composed of people who read Trip Advisor ratings! Us!! Might as well have stayed at home. When you want to go, it’s name is Sakura, 1-20-26 Chuo, and you’ll think it’s not there but it is.]

I went back and read the reviews again, especially the detailed ones. Here’s what I thought. I’m an American journalist. Someone pays me to go to a very pleasant Japanese island to look at its transformation through good works to attract tourists via art. I am fed outstanding food, both French and Japanese. The view out my window is amazing and I get to my room via a six-seat funicular. No private cars are allowed in my part of the island. The built environment I’ve come to look at is dominated by Japan’s contribution to world architecture, Tadao Ando, and this is some of his finest work. The construction and clever features of Chichu are extraordinary. But even if they were shit I wouldn’t say so. I’d write a review like this one.

••••

Let’s go back again. Marketing is not concerned with honesty. Marketing is concerned with achieving its most immediate goals — selling jewellery, selling toys, selling clothes, selling tourist sites. 

It can also be used to sell ideas. When I was working in Aboriginal education I decided after ten years of painful experience that hard rational approaches were useless. To succeed, to convince Aboriginal kids that it might be good idea to go to school for example, you needed to agree rationally to try something other than rationality; and that the best advice would probably come from marketers, people who know and work on the idea that, ‘We are not won by arguments that we can analyse, but by tone and temper.’ An observation from US Supreme Court judge Louis Brandeis. Try as I might, I could convince no one who mattered in the echelons above me where the money lived of the value of that idea. And yet they themselves got very excited about contact with Aboriginal celebrities.

Where does the public good belong in this process? Does it have a place defined by populism? Should 48 percent of Britons make their own exit from the EU? [Hmm got that wrong didn’t I! But not by much. The result rather emphasises my point. Should this ever have been put to a popular vote?!] Should there be a popular vote about the legality of gay marriage? I can imagine being gay and having a partner I want to marry and saying most emphatically it’s none of your goddam business. 

Let me leave you thinking about that.

People

This is one way to tell a story.

DSC00716Four women, eight dogs. Top of Omote Sando (Collins St, Fifth Avenue) in Tokyo.

DSC00768The information desk Aqua City shopping mall, Odaiba. And, yes, she is a robot at work.

DSC00843The owners/operators of Hop Frog, Matsumoto. Providers of beer, coffee and sandwiches extraordinaire. Lovely people.

DSC00855The Spring basho (national tournament) was on while we were there. Bouts were broadcast every night on NHK between 5.00 and 6.00. I learnt that there are 96 different descriptions of ways you can win and saw perhaps 20 of them. Hakuho, Mongolian by birth, won with a utchari backward pivot throw, his 37th championship title. Wildly impressive the whole business. (This shot is off the TV. Look at the crowd.)

DSC0088860, 70 and possibly 80 year-old climbers with their ice axes, crampons and helmets who have just come down off the 3000 metre peaks of the Hotaka Range.

DSC00932Chaps sitting on a bench getting their photo taken by young people in the Kanazawa gardens. A moment after this there was a gigantic explosion of laughter from all concerned. No idea why.

DSC00947Generational symmetry. I think Starbucks, but maybe a Cafe Excelsior.

DSC00966Girls walking round Gion dressed in traditional dress so they get their photos taken. Actually at Nanzen-ji (temple): in Kyoto. 

DSC00975ADSC01057 remarkable encounter on the top of Mt Daimonji. She arrived with a flourish and began by offering us honey lollies to keep us going after our big climb. Then told us she had walked from Inari, about 30 km away with some big hills between here and there, among other things picking up rubbish that people had left behind. ‘There hasn’t been much.’ She was on her way to Ginkaku-ji (the ‘Silver Temple’) still a few km away down a very steep hill. Then she revealed she had been in Brisbane the day before and that she was an air hostess. Then she told us a lot of other things about living a healthy and somewhat forceful life. Then we spent quite lot of time trying to take good photos of each other and failing. She wanted Kyoto in the background but the position of the sun rendered this unlikely. 

DSC01030Aux Bacchanales. True, but a misnomer. Anything but. Salads and good French wine. We decided that if you hadn’t been brought up on dairy the true essence of French food would probably always elude you. That’s stopping no one having good time. Downtown Kyoto.

DSC01079 ‘In the spring of the year 74 AD, the Emperor Keikō put a few carp into a pond, and rejoiced to see them morning and evening.’ From the Nihon Shoki, the first chronicle of Japanese history, published in 720 AD. There was a lot of to-ing and fro-ing going on here. They were big fish and actually climbing over themselves to be fed. We are at Ryozen-ji, Temple no. 1 of the Shikoku 88, and they’d had plenty of practice. It took a good three minutes for the bigger girl to get the hang of things.

DSC01297Hiro and Kaoru at Tairyu-ji, the fifth time we had met on the trail over three days, never intentionally. It was just one of those delightful things. Hiro had completed the trail previously and Kaoru was collecting her last stamp. We would like to see them again very much.

IMG_0004I have dropped cameras down cliffs, let them slip into a rocky slit 10 metres deep, bashed them against walls of all varieties, scratched a lens with a knife, filled the body with so much dust the shutter wouldn’t work, had them fall out of my pocket through a drain grate. But I have never had one stick on full digital zoom so that I could take excellent pictures of carpet fluff but not much else. This disaster happened on the walk at Shiromine-ji. The next day we were due in Kotohira and I thought maybe there might be a camera shop there. And there was. Interestingly all his good cameras were film cameras. They spoke no English but sweated blood to make sure I got something I wanted at a very reasonable price. Bless them. In the meantime Myrna and her phone were taking first class pics.

IMG_0007This could be the only young person in Japan who doesn’t want her photo taken. She succeeded close to perfectly in thwarting my intrusion, importantly with a soft serve (softu crema) covered in balls of some description, tasty for a millisecond before disappearing into the digestive ether. Softu crema were omnipresent rewards for a good day’s walking (and almost anything else). I’d counsel ordinary rather than premium and double flavour if available. Stay away from green tea. What’s the point? You’re after the big sugar hit.

IMG_0028They do have their pilgrim staffs but they’ve only got up 785 of the 1368 steps to the Kompirasan shrine at Kotohira. There’s another hour to go and they do mostly look satisfied with work to date. (Those steps … bloody hell…)

IMG_5581Out of nowhere, in the forest, very early morning. We were coming down from a night in Mountain Top Temple, Senyu-ji. He was amazed that we were Australians and really keen to talk. We took photos of each other. Look at the lens shell of his film Nikon. Battered, I am happy to report.

IMG_0252And, by comparison, look at this gear. A small sample of what this group had. Might have been a photography club with, as a membership requirement, spending a year’s salary on gear. We’re on a ferry between Takamatsu and Naoshima where, of course, the most common activity is to take photos.

IMG_5153‘Flamboyance Vanity’, in wood but I can’t tell you the sculptor. Sorry. Matsumoto City Gallery.

IMG_0480Two gorgeous gals at the Starbucks in Shimokitazawa with Forever My Lovetoxic Style bags. That’s what it was like. Fun of the highest order.

 

Landscape: Five Thoughts

‘What’s it look like?’ he asked.

Well … like a lot of things. It’s actually quite a big country: 6852 islands, one of which, Honshu, is almost as big as Italy. From Wakkamai on the north coast of Hokkaido to Kanoya on the southern tip of Kyushu is more than 1800km as the crow flies. Socially, Japan is thoroughly regionalised. One reason for that is its mountains. The cone of Mt Fuji at 3776m is 600m higher than any other point. That’s distinctive and perhaps accounts for its deep cultural importance. There are 20 mountains between 3193 and 3000m. One of them, Okuhotaka, features below. But there’s plenty of others, long steep ridges of them which, for example, make it impossible to get from Matsumoto to Kanazawa via Kamikochi in anything other than a series of sharp doglegs. While only 12 percent of the land is farmed (very carefully), most of that land is irrigated. I would be stunned to find a wild river, or even a wild trickle, in the three southern islands.

342px-MegalopolisMost of the population lives in the Tokaido Corridor running from Tokyo to Fukuoka, a series of major plains on the Pacific Coast and bordering the Inland Sea. These night time satellite photos of the east coast of the US and Japan are to scale. The Kanto Plain surrounding Tokyo is the brightest light in Japan and that is probably because more than 40 million people live there.

So why not begin there, with a digression, because I love the photo. Yanaka, north-east Tokyo. You’d probably say ‘inner’ but I don’t know what that means here. Closer to the fish markets? Ginza? The Imperial Palace? The fleshpots? Don’t know what reference point is appropriate. Much of Yanaka, five or six square kilometres, was not destroyed by the bombing and fires of the second world war (or the various earthquakes, and fires to which Tokyo has been regularly subject). This is not a first class example of those buildings, but a renovated coffee shop surviving these periods and therefore prized. I like the sign (privileging English; this is a tourist route), the wood, and the sheen on the new tiles. But I particularly like the gentleman and the sharpness of the crease in his pants, as sharp and straight as his posture. He has an umbrella (two actually, matching), not a walking stick. I like the bus and the block of units behind it. Very Japan. And importantly it has the ubiquitous power lines.DSC00688Local fans of Yanaka would probably prefer this photo, with an emphasis on narrow windy lanes, bikes, flowerpots — and street art.DSC00694Below is a photo collage called ‘More’ by Nanami Sakata. But it looks like nothing so much as the view out the window of our Tokyo hotel window.DSC01025Continuing with art, this is the view out the window from the corridor outside our room: Asakusa Dori, the main route to the next suburb.DSC00745

On, on, to the subject: the first thought — urban streetscapes have a lot of contiguity whether they are in the city (Osaka, off Mido-Suji)…IMG_0320the suburbs (Ogibashi, eastern Tokyo)…DSC00761or a country town (Kotohira on Shikoku) …IMG_0005Vertical accents, signage running amok, power lines: they’re not beautiful.DSC00983Kyoto renowned for its elegance and beauty has streets everywhere much like this off its grand boulevards. (Nishikikoji Dori, 30 metres off Karasuma.) But in this case Myrna is about to head into the Tiger Gyoza Hall, to enjoy one of the great feeds Japan has to offer and these are two of the geniuses responsible.DSC00986 (1)

Second thought. The cultivated ‘countryside’ is not as we know it. It is packed tight. There is no broad acre farming in Japan. Farmland from above Kotohiro.kagawa-14You don’t waste space. Even big houses, and this is a big house with probably a ‘large’ land holding, are islands in a sea of cultivation.IMG_0087You’re as likely to find rice paddies in the middle of a country town as on the outskirts. In fact it might be very hard to define the outskirts. (Newly planted rice in a wind, eastern Shikoku.) Incidentally, note the banks of solar power panels. In the east of the island they were on every spare metre of land. More than 35 percent of the power supply on Shikoku comes from renewable sources.DSC01220

Third thought. The urban suburban and rural development is confined to the plain, packed tight. At a certain contour level it just stops.DSC00972This is a generalisation. The mountain areas have their very small towns, but for such a densely populated country, not so many of them. Roppongi is not the only place there are hills in Tokyo. There is some outlying development in other urban areas, and as we will see there are temples on top of mountains. But from here — the top of Mt Daimonji, including Kyoto to the right, Inari and Nara over to the left, Osaka ahead and, pace the photo, it was a hot but clear day and we could see almost to the coast, perhaps 90km — nothing but houses all the way except where there was a hill or a ridge or an outcrop. In other countries such elevated locations would be much sought after. Film stars don’t live in the San Fernando Valley; they live in the Hollywood Hills. And it was from Okochi Sanso, a former film star’s house and garden that we viewed the same phenomenon from the other side of the Kyoto basin. He was up the hill, but no one else was.

As happens, after this I started seeing it everywhere. Certainly on Shikoku, but for all of our long shinkansen trip from Osaka to Tokyo, mostly on a plain full of houses, the roof ridges of which you could almost align with a spirit level. Any bumps were green and forested.

This might be one of those dumb tourist observations: a) obvious, and b) at the same time wrong. And even if I’m right there are probably perfectly obvious explanations. Stay on the plain if you want to avoid earthquake damage, and make sure some green areas are preserved in this welter of development are two. But then there are hundreds of tsunami stones along the coast line saying don’t build below this point, and I would have thought Japanese architects, engineers and builders would have salivated at the challenge of building on sharply sloping sites.

Next thought. The natural beauty of Japan’s preserved areas is glorious.IMG_0107From our hotel window at Kamikochi late evening, Okuhotaka at the end of the Azusa valley in cloud. Below, the forest floor half way along that valley. Horizontal and vertical accents clearly articulated. None of the messy complexity of the Australian bush.DSC00894wood, water, mountain, rock. Kamikochi again.DSC00875

Last thought, what commentary does the Japanese garden, private and public, so highly theorised and deeply grounded in religion, history and culture, offer on these other observations?

The elements of the gardens are clearly derived from the riches of natural Japan with a focus on rocks, trees and water and not so much on the extraordinary floral abundance. Sand or gravel can substitute for water. Placement of the elements is critical down to suteishi (‘nameless’ or ‘discarded’ rocks) highly supervised to provide a sense of randomness. The last picture, a temple garden in Kyoto designed to some degree for its contribution to meditation, illustrates the drive to abstraction.

Not much room? Make it small. Bonsai is a Japanese art form. None of the gardens below is as small as most gardens we saw: tucked into boxes, run up walls, in pots, so carefully tended. It means I think that regardless of the intensity of urban living, and it is intense, a place must be found for connection with nature. That’s to be celebrated.DSC01210Above an uncustomarily big domestic garden near Ichinomiya with coloured rocks and okarikomi-trimmed vegetation, not just shaped but thinned at the same time to make fluid shapes and transparent views. We watched this happening. What an art form. Below not tent ropes but support for a very old pine tree creeping 15 or so metres horizontally out above this pond at the amazing gardens at Kanazawa.Yukitsuri-standalonepine-02-2006-03-03

DSC00930Kenrokuen at Kanazawa again. A particular form of perfection realised.

Below, we didn’t go here. It’s the garden at the Adachi Museum of Art in Yasugi. It’s here because of its use of sand and ‘rugged’ features.Adachi_Museum_of_Art_Garden_02A Japanese garden. The final distillation.IMG_2801.JPG